Danny (Jan Ebeling on Darling) woos Sandy (Charlotte Bredahl-Baker on Chanel) in their winning Grease-themed exhibition pas de deux. Photo by Jennifer Bryant. |
The dark day of no competition at the 2015 Reem Acra FEI
World Cup Dressage Final proved an opportunity for spectators as well as riders
to cut loose and show the lighter side of our buttoned-down sport.
Just as many enthusiasts packed the Thomas & Mack
Center for today’s Las Vegas Dressage Showcase as attended yesterday’s Grand
Prix competition, which drew more than 7,300 spectators. But today was all
about music, fun, and costumed exhibition rides – all by California-based
riders and horses – plus a couple of milestone tributes.
The midday program kicked off with two “rising star”
freestyles, ridden sans costumes: an
Intermediate I Freestyle by Sabine Schut-Kery on Sanceo, and a Grand Prix
Freestyle by Steffen Peters (who’s contesting the World Cup Final with Legolas
92) on the up-and-comer Rosamunde.
The crowd was “looser” than at a traditional dressage
competition, clapping and vocalizing freely during the rides. When Sanceo first
entered the Thomas & Mack and spooked at a patch of unevenly dragged
footing, the audience laughed; then when the stallion neighed, the crowd
responded with a chorus of “awww.”
Light moments aside, Sanceo is a stunner, with tremendous
scope and presence. His pirouettes and extensions drew cheers, and Schut-Kery
was clearly thrilled with his performance.
The other stunner is Rosamunde. It’s really hard to believe
that this mare is only eight years old because her relaxation in the electric
environment, coupled with her ease with the demands of the Grand Prix level,
belie her age. She was so comfortable in the arena that I only saw her flinch
once at some stimulus, and Peters was able to drop the reins and leave the
arena on the buckle amidst the thunderous applause after his final halt and
salute. Peters is not one to push a horse, and it’s obvious that Rosamunde has
not been pushed. She’s extraordinary, and I expect great things from this pair
in the future.
With those more serious demonstrations concluded, it was
time to turn the volume up – way up – for a three-way Dancing with the Stars-style pas de deux competition, complete with
celebrity judges. FEI 5* judges Linda Zang of the US, Stephen Clarke of Great
Britain, and Hans-Christian Matthiesen of Denmark made up the celebrity panel,
awarding their scores via card after each ride.
Poison Ivy (Shannon Peters on Weltino's Magic) tries to put Batman (David Blake on Ikaros) under her evil spell. Photo by Jennifer Bryant. |
Each pas de deux was themed, elaborately costumed, and
expertly choreographed and edited. First up were Batman and Poison Ivy, aka
David Blake on Ikaros and Shannon Peters on Weltino’s Magic. The horses – all
of the horses today, actually – handled the atmosphere really well, in fact
better than during the much quieter schooling session on Wednesday.
The Indian (Anna Dahlberg on Rico) meets the cowboy (Mette Rosencrantz on Marron). Photo by Jennifer Bryant. |
Then we visited the “Wild Wild West” courtesy of cowboy
Mette Rosencrantz on Marron and Indian chief Anna Dahlberg on Rico. The upbeat
soundtrack included themes from The Lone
Ranger, A Million Ways to Die in the West, and Bonanza. The excitable Marron did give a half-rear during the
program, but I think the audience thought it was part of the act! The judges
scored the program higher than the Batman
performance – but as Clarke (who was obviously relishing his role as the Simon
Cowell of the panel) quipped, “Mette has a gun, so I’m going up.”
It was the final pas de deux, however, that brought down the
house, winning top marks both from the judges and from the audience applause
meter. “Danny” (Jan Ebeling on Darling) pursued “Sandy” (Charlotte
Bredahl-Baker on Chanel) to the well-loved songs from Grease. Judge Linda Zang commended the horses’ synchrony and also
confessed an affection for the 1950s-style music, saying that “This was my
era!”
The final musical showcase of the exhibition was a “Viva Las
Vegas” quadrille. Elvis (Guenter Seidel on Zamorin) was most definitely in the
building, accompanied by the scantily clad showgirls Michelle Reilly on Umeeko,
Sarah Christy on Xirope, and Elizabeth Ball on Orion. The quadrille wasn’t part
of the celebrity judging, but it was the perfect extravaganza to conclude the exhibitions.
Tributes and Touching Moments
Two short, related ceremonies punctuated the
otherwise-exuberant Las Vegas Dressage Showcase with a serious note. The first
honored the contributions of E. Parry Thomas – yes, of the Thomas & Mack
Center – to both Las Vegas and dressage. Thomas, now 94, was a banker who was
instrumental in developing Las Vegas as a city and a resort destination. And
thanks to the equestrian interests of his wife, Peggy, and daughter Jane,
Thomas became a strong supporter of the sport. He and Peggy developed their
River Grove Farm in Hailey, ID, where husband-and-wife team Bob and Debbie
McDonald became the trainers. The Thomases went on to sponsor Debbie McDonald
through their purchases of many top horses, including the legendary Brentina,
McDonald’s 2004 and 2008 Olympic mount.
Rider Adrienne Lyle (right) helps to lead Wizard from the arena after his retirement ceremony. Photo by Jennifer Bryant. |
A former working student of Debbie McDonald’s also benefited
from the Thomases’ patronage. Adrienne Lyle was given the ride on their Wizard,
whose career culminated in performances at the 2012 Olympics and the 2014 World
Equestrian Games. The 16-year-old Oldenburg gelding (Weltmeyer x Classiker)
appeared in public one last time in full show regalia (quite amped up in the
T&M Center) before Lyle dismounted and the great horse was unsaddled,
draped with a cooler, and led from the arena.
The tributes were a reminder that without supporters like
Thomas and horses like Wizard, who give so much of themselves, dressage would
be a pale shadow of the robust and thriving sport we have today. It was fitting
that the ceremonies were bookended by the lighthearted and uplifting exhibition
rides that, like our horses themselves, brought joy to so many.
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