A Perfect Storm

WEG dressage freestyle cancelled

 

A too-brief shining moment: Team USA's Kasey Perry-Glass, Laura Graves, Steffen Peters, and Adrienne Lyle take a lap of honor after winning the silver medal in the 2018 WEG dressage competition. Photo by Jennifer Bryant.

It’s a desperately sad break for FEI World Equestrian Games Tryon 2018 dressage spectators, Tryon WEG organizers, all of the participating nations, and the horses, riders, and supporters who worked so hard to get here: The WEG Grand Prix Freestyle, which was scheduled for tomorrow, has been canceled. It will not be rescheduled.

In an extreme stroke of bad luck, the worst of Tropical Storm Florence is scheduled to arrive tonight in the area of the Tryon International Equestrian Center, and Florence is expected to hang around tomorrow, bringing rain and high winds to western North Carolina. Speculation about the fate of the dressage freestyle has been running rampant for days. As of yesterday we were hopeful that the competition could be rescheduled for Monday, which is supposed to be the “dark day” of no competition between the two weeks of the WEG. But the dressage horses are supposed to fly out Monday, and this afternoon the International Equestrian Federation (FEI) confirmed that the freestyle is not to be. 

Here is the text of the FEI’s statement announcing the cancellation:

Following yesterday’s announcement of the intention to hold the Helgstrand Dressage Freestyle competition on Monday morning due to extreme rainfall forecast for Sunday’s original time slot of 8.30am, further discussions have been taking place to review the options available to reschedule.

Despite the best efforts of the whole Tryon 2018 team and the Officials, who have been working on plans for rescheduling since yesterday evening, including meetings with the Chefs de Mission and Chefs d’Equipe, the logistics of putting all necessary elements into place in time have proved insurmountable. As a result, and very regrettably, the Dressage Freestyle will now be cancelled.

“This was not an easy decision, but we have explored every option, including trying to reschedule the horse departures, and even looking at moving the competition into the indoor with a change of footing, but the logistics of making all this happen are just not possible,” Tryon 2018 Organising Committee President Michael Stone said.

“We know this is desperately disappointing for the 15 athletes who had qualified their horses for the Freestyle, and of course for all the spectators who had bought tickets, but the weather has simply left us with no choice. Horse welfare has to be the top priority and flying the horses out on the same day as competition doesn’t work, so sadly the decision to cancel the Freestyle had to be taken.”

“Although we are devastated that this decision has had to be taken, we’ve had two absolutely world-class competitions here at Tryon, including yesterday’s Grand Prix Special, and to see Germany’s Isabell Werth and Bella Rose taking double gold and Team USA claiming silver was a real treat for Dressage fans.”

The decision does not affect the Olympic qualification process, as this was completed on Thursday. The teams that have earned their ticket to Tokyo 2020 are Germany, USA, Great Britain, Sweden, Netherlands and Spain.

Sweet Sixteen

Team USA wins FEI World Equestrian Games dressage silver for the first time since 2002

 

2018 WEG team dressage silver medalists Kasey Perry-Glass, Adrienne Lyle, Steffen Peters, and Laura Graves of the USA with technical advisor and chef d'equipe Robert Dover. Photo by Jennifer Bryant. 

“They’ve worked very hard for this.”

Not that we had any doubts that the four members of the 2018 US World Equestrian Games dressage team had put in the time and the blood, sweat, and tears to get there; but there was the affirmation, standing next to me ringside for the dressage team medal ceremony at the FEI WEG Tryon 2018.

It was Diane Perry, Team USA member Kasey Perry-Glass’s mom and the owner of Perry-Glass’s WEG mount, Goerklintgaards Dublet. Between wielding her smartphone video camera to record the ceremony for posterity and exhorting “Dublet” to please keep all four feet on the ground, Perry was every horse-show mom writ large: proud, perhaps a little overwhelmed, adrenaline-fueled but tired from the long hours in the North Carolina heat and humidity, and already gearing up for her daughter’s next effort (asked whether they’d be celebrating tonight, Perry quickly replied: “Oh, no. We have a horse show tomorrow,” referring to the Grand Prix Special).

 

Group hug! Team USA's Debbie McDonald, Kasey Perry-Glass, Adrienne Lyle, and Steffen Peters embrace after watching Laura Graves clinch the team silver medal on Verdades, while sponsor Betsy Juliano and chef Robert Dover look on. Photo by Jennifer Bryant. 

It’s easy to forget, when we see our dressage idols on the covers of magazines, and when they and their entourages and their sponsorships and their celebrity make them seem larger than life, that top riders are daughters and wives and moms and dads—people who were endowed with a generous helping of talent and ambition and grit and of course luck, but also people who probably have a lot in common with those of you who are reading this. They love horses. They love riding. They love dressage. Watching Diane Perry cheer for her daughter as she stepped onto the WEG dressage medal podium for the first time, the glamorous medal ceremony suddenly felt very personal.

But competition at this international level isn’t really personal; it’s about national pride first and foremost, with glory for one’s team and one’s country superseding individual accomplishment. Although dressage is ultimately about one rider’s partnership with one horse, “top sport,” as the Europeans call it, is a machine the way NFL football is a machine: an industry and a very serious business while at the same time serving as entertainment and hobby for the spectator and fan.

 

German team gold medalist Isabell Werth and Bella Rose were the highest-scoring pair of the WEG Grand Prix team competition. Photo by Jennifer Bryant.

The German dressage machine has dominated the discipline for decades, and today was no exception. The team of Isabell Werth on Bella Rose, Sonke Rothenberger on Cosmo, Jessica Bredow-Werndl on TSF Dalera BB, and Dorothee Schneider on Sammy Davis Jr. swept the 2018 WEG dressage team competition with a total score of 242.950. Werth and her “dream horse,” Bella Rose, topped both her teammates and the entire field with their score of 84.829 percent in a largely flawless test marked by elegance and elasticity.

 

Top USA scorer Laura Graves and Verdades. Photo by Jennifer Bryant.

Last to go in the entire team competition was the most hotly anticipated pair of the largely American crowd: top-ranked US rider Laura Graves and her famous Verdades. They did not disappoint, laying down a powerful Grand Prix test marred only by “Diddy’s” slight spook at an FEI TV camera near C to earn a score of 81.537 percent, which put Graves second individually behind Werth. 

Graves’ usual sparkling smile seemed a bit dimmed during the medal ceremony, and at the press conference we found out why: She confessed to being “a little under the weather.” Here’s hoping she gets some needed rest and feels better for tomorrow’s GP Special—although she said that “adrenaline is an amazing thing” because as soon as she put her foot in the stirrup today, all else was forgotten.

Perry-Glass’s score of 76.739 percent was the second-highest of the US team, which clinched the silver medal on a team total score of 233.136.

“It felt great,” Perry-Glass said of her Grand Prix test afterward. “He was 100 percent in warm-up, and I really felt like he brought the power that we were looking for in the test.”

“He’s so sensitive,” Perry-Glass said of the 15-year-old Danish Warmblood gelding (Diamond Hit x Ferro). “I had to figure out that balance between asking for more and not asking for too much. I think we’re really right on the cusp of being really great with that. 

“He has every opportunity to be up with Isabell and Laura,” Perry-Glass continued. Referring to their excellent finishes in Aachen this year, she said: “We’ve done it once before. I know we can do it again.” With tears welling, she said, “I’m going to cry because I love him so much.”

For a report on Team USA silver medalists Steffen Peters’ and Adrienne Lyle’s tests yesterday, click here.

Since the retirement of Charlotte Dujardin’s superstar mount Valegro, the dressage world has wondered whether Great Britain would remain among the top powers in the sport. The answer, as evidenced by today’s WEG team dressage bronze medal, is yes. 

 

Great Britain's Charlotte Dujardin and her new star partner, Mount St. John Freestyle. Photo by Jennifer Bryant.

Dujardin, back on the international scene for the first time since winning individual gold at the 2016 Rio Olympics with Valegro, was Team GBR’s top scorer, earning 77.764 percent on the astonishingly young-yet-accomplished nine-year-old Hanoverian mare, Mount St. John Freestyle (Fidermark x Donnerhall). “Freestyle” handled the atmosphere in the US Trust Arena with ease, making just a few green mistakes—this was only Freestyle’s sixth Grand Prix—and Dujardin said afterward that the mare’s nickname of “Mrs. Valegro” is not an exaggeration.

“She has three very normal paces,” Dujardin said, “but when I started riding her, she has unbelievable trainability. And then her scope for what she can do: She can just put her legs wherever she wants! She’s so brave and she gives so much… She has the same attitude [as Valegro]: She goes in that arena, she’s not afraid of anything; she tries so hard. I know when she’s stronger and the mistakes aren’t there, it’s going to be very, very exciting. I think she may be as good as him one day. 

 

2018 WEG team bronze medalists Carl Hester of Great Britain on Hawtins Delicato. Photo by Jennifer Bryant.

Finishing just behind his most famous pupil was Carl Hester, also on a relatively inexperienced horse, the 10-year-old Hanoverian gelding Hawtins Delicato (Diamond Hit x Regazzoni). The stunning “Del” put in a lovely and elastic test with just a few bobbles to earn a score of 77.283. The British team was rounded out by Spencer Wilton on Super Nova II (74.581) and Emile Faurie on Dono di Maggio (72.795), for a team total of 229.628.

Said Hester afterward: “I said to Charlotte, with these young horses, we can’t compete them all around Europe and then fly them to a WEG and expect them to be on form. They would be exhausted. Our plan was to do the British shows and then come here. Having said that, I’ve had a week…it’s been a bit tense because the horse hasn’t really walked, he hasn’t really halted. Then this morning, one week later, we walked around the ring at 7:30 this morning on a loose rein; he walked around twice and I thought, I’m going to have a good ride today. And I did. He has such good paces, this horse. He might not be the superstar flash of some of the others, but he is so good with his hind legs, he has such a great walk.”

With that, the stage is set for an exciting start to the WEG individual dressage competition. Two medals are at stake—GP Special and GP Freestyle—and the Special kicks off tomorrow at 10:30 a.m. EDT. Watch on FEI TV or catch WEG dressage on NBC Sports' Olympic Channel.

A Strong Showing and a Surprise on Day 1 of WEG Team Dressage Competition

Adrienne Lyle and Salvino piaffed Team USA into third place after the first day of team dressage competition at the 2018 WEG. Photo by Jennifer Bryant.

With two days of dressage competition needed to accommodate the 77 entries at the FEI World Equestrian Games Tryon 2018, half of each team competes each day. After the draw that determined start order, each team’s chef d’équipe got to decide which horse-rider combinations would ride today, day 1; and which will go tomorrow.

The usual strategy is to have the less-experienced combinations go on day 1, thereby saving the team’s biggest guns for the end, and perhaps the higher-scoring end of the competition.

 

Steffen Peters and Suppenkasper. Photo by Jennifer Bryant.

Team USA’s newest combination, Suppenkasper and Steffen Peters (“a young kid and an old rider,” as Peters put it), was first of the four Americans to go down center line in the U.S. Trust Arena. Ten-year-old “Mopsie,” a KWPN gelding (Spielberg x Krack C) owned by Four Winds Farm, put in a solid effort (although, quivering with excitement at the applause from the home-country crowd, he couldn’t bring himself to stand immobile in the entry halt) to earn a more-than-respectable score of 73.494 percent. 

 

Scott Hassler and Steffen Peters chat before the start of competition. Photo by Jennifer Bryant. 

“I’m very happy with how he handled this,” Peters said afterward, “because it’s a huge step up from Aachen as far as relaxation. He walked beautifully; the rein back was a little bit better; there was overall less tension in there. I could actually push some of the extensions, which was new: Usually I just hold my breath and hope he doesn’t break into the canter because it’s so big. He did beautiful pirouettes today; the zigzag was also good—that’s also a bit tricky for him. The changes felt nice. For this stage and his sensitivity, it’s really good.”

 

The USA's Olivia LaGoy-Weltz, who did the test Grand Prix ride on Lonoir before the start of competition, receives congratulations from a WEG official. Photo by Jennifer Bryant.

It’s hard to think of a WEG as a warm-up act, but that’s sort of what it is for Mopsie, said Peters, who said that the 2020 Tokyo Olympic Games are “the reason for the purchase. We [‘we’ being himself and sponsor Akiko Yamazaki] are hoping when he turns 12, 13, that will be his prime.”

 

Crowds were sparse for the start of WEG dressage competition but filled in as the day went on. Some attendees reported hearing tales of spectators' being scared off by the threat of the impending Hurricane Florence. Photo by Jennifer Bryant.

Mopsie is “the kindest, sweetest horse I’ve ever dealt with,” Peters said. The horse turns his head for approving scratches when he halts, and “his favorite thing is to [have someone] scratch his nose. He can do that for hours. He’s a puppy dog. He’s a big Labradoodle, that’s what he is.”

 

Getting ready to step onto the world stage is a major production. An FEI TV camera crew records every moment of last-minute preparation of the first dressage rider to go, Portugal's Manuel Veiga on Ben Hur Da Broa. Photo by Jennifer Bryant.

Peters said he’s content with the decision to enter Mopsie instead of his originally named mount, Rosamunde, also owned by Four Winds Farm. In training this week, the gelding was stepping up to the plate a bit more “and I was having to ask him to do a bit less,” he said. Mopsie’s can-do attitude won him the spot on Team USA for these Games.

 

A rain-dampened Robert Dover and Debbie McDonald look on during Adrienne Lyle's Grand Prix test. Photo by Jennifer Bryant.

Besting Peters, with a score of 74.860 percent, was his 2012 London Olympics and 2014 WEG teammate Adrienne Lyle, back on the international stage with Salvino, an 11-year-old Hanoverian stallion (Sandro Hit x Donnerhall) owned by Betsy Juliano LLC. Echoing her experience at the 2014 WEG in Normandy, Lyle encountered a sudden drenching rain that lasted just long enough to soak herself and the previous competitor, the Netherlands’ Hans Peter Minderhoud on Glock’s Dream Boy N.O.P. Mother Nature turned off the faucet just as Lyle went down center line—and turned back on the oppressively sticky heat that reduced competitors, spectators, and officials alike to soggy puddles.

“It starting pouring when I was warming up, and I said to Debbie [McDonald, her coach of 13 years], ‘Well, I know it’s WEG if it’s pouring!’” Lyle said afterward.

“I’ve never ridden in front of our home country [at an international championships] before, and I didn’t know how he was going to handle it, with all the extra cheering,” Lyle said of Salvino, “but I think he liked it.”

The downpour “was a bit of a disruption,” said Lyle, who scrambled to “change gloves and dry off things so I could hold the reins. And then it’s blazing hot the next second! Fitness is a big factor here, as well. He’s a big, dark horse, and I’ve done my best to get him as fit as I could, and I’m glad I did because it took every ounce of fitness he had out there to get through the heat.”

 

WEG dressage spectators did their best to keep cool in the afternoon sun and sticky humidity. Photo by Jennifer Bryant.

You can’t open a social-media feed these days without seeing a warm-and-fuzzy photo of members of the US dressage team hugging and looking like BFFs. According to Lyle, it’s not an act.

“We’re all such a good group of friends. It really does make a difference when you know they’ll be there for you at the drop of a hat and support you in any way possible.”

Lyle says she’s “going to have a lot of fun with the [Grand Prix] Special,” Lyle said. “I like that test better.” She feels the Special plays to Salvino’s strengths, including piaffe/passage and extensions, and hopes for higher scores on Friday.

 

German eventing competitor Ingrid Klimke (center) applauds the dressage effort of her countrywoman Jessica von Bredow-Werndl. Photo by Jennifer Bryant.

Jessica von Bredow-Werndl and TSF Dalera BB put Germany in the lead after the first of two days of dressage competition. Photo by Jennifer Bryant.

Before then, we have team medals to decide tomorrow. After the first day of competition, the USA stood in third place, with Germany leading and—in a bit of a surprise—the Swedish team in second. Germany’s Jessica von Bredow-Werndl on the 11-year-old Trakehner mare TSF Dalera BB (Easy Game x Handryk) posted the day’s top score of 76.677 percent. Juliette Ramel on Buriel K.H., a 12-year-old KWPN gelding (Osmium x Krack C), was the top rider for Sweden, and Lyle lies in third. Team standings were calculated based on the top score of the two riders who competed today. 

J Is for Jog

FEI officials including Anne Gribbons, head of the 2018 WEG dressage ground jury (center), look on as Belgian competitor Isabel Cool jogs Aranco V during the horse inspection. Photo by Jennifer Bryant. 

As disappointing as it must be not to make a World Equestrian Games team, or to make a team but have to withdraw in advance—just ask American eventer Marilyn Little, who was forced to withdraw RF Scandalous when “Kitty” sustained a minor injury in training just prior to shipping to Tryon—the ultimate heartbreak must be arriving at the venue unscathed only to see one’s mount fail to pass the horse inspection.

 

Team USA's Kasey Perry-Glass walks Goerklintgaards Dublet before the jog. Photo by Jennifer Bryant. 

Groom Holly Gorman gives Goerklintgaards Dublet a final polish with a fleece mitt before the jog. Photo by Jennifer Bryant. 

In “the jog,” FEI veterinary officials and members of the ground jury watch like the proverbial hawks as the horses are stood up, then trotted in hand—usually, but not always, by their riders—down and back so that their “fitness to compete” can be evaluated. This can be a challenge because some horses prefer to canter, rear, or otherwise emulate kites on strings rather than trot. 

 

Officials and VIPs including American dressage sponsor Betsy Juliano (right) watch the dressage jog at the WEG. Photo by Jennifer Bryant. 

A supporter films a competitor's jog for posterity, aided by what might be a good-luck charm. Photo by Jennifer Bryant. 

USDF secretary and US Equestrian "S" judge Margaret Freeman, who will be scribing for dressage at the WEG, watches the jog. Photo by Jennifer Bryant. 

Hijinks aside, the jog is a tense time, and tradition dictates that horses are impeccably braided and turned out as they will be for the actual tests, but in snaffle bridles. Most national federations kit out the handlers with matching outfits that range from suits to polo shirts and jeans. (Some getups seem more ridiculous than others.) Grooms fuss and polish, then cluster at the sidelines to look on anxiously with federation officials, owners, and sponsors until they hear the magic words from the announcer: “[Horse name] is accepted.”

 

Laura Graves gives Verdades a kiss before the jog. Photo by Jennifer Bryant. 

Suppenkasper ("Mopsie") is in good form for US competitor Steffen Peters. Photo by Jennifer Bryant. 

Olympic and WEG veteran Adrienne Lyle jogs her 2018 WEG partner, Salvino. Photo by Jennifer Bryant. 

At this morning’s dressage horse inspection, all four Team USA horses—Suppenkasper with Steffen Peters, Verdades with Laura Graves, Salvino with Adrienne Lyle, and Goerklintgaards Dublet with Kasey Perry-Glass—passed the jog. Of the total 77 horses from 31 countries, none was not accepted, although an Australian horse and a Portuguese horse was “held” for reinspection later this afternoon. On reinspection, officials will decide whether the two horses will start tomorrow, which is the first day of competition at the FEI World Equestrian Games Tryon 2018 and day 1 of the two-day dressage Grand Prix competition for the team medals. 

 

Because he's based in the USA, Spanish rider and WEG first-timer Juan Matute Guimon  (with Quantico Ymas) has many American well-wishers. Photo by Jennifer Bryant. 

The dressage competition is set to begin at 9:00 a.m. EDT. It, like all WEG competition, will be broadcast on FEI TV; you’ll have to pay to access the live stream. 

On Fun Freestyle Day, Grease Is the Word

Danny (Jan Ebeling on Darling) woos Sandy (Charlotte Bredahl-Baker on Chanel) in their winning Grease-themed exhibition pas de deux. Photo by Jennifer Bryant.

The dark day of no competition at the 2015 Reem Acra FEI World Cup Dressage Final proved an opportunity for spectators as well as riders to cut loose and show the lighter side of our buttoned-down sport.

Just as many enthusiasts packed the Thomas & Mack Center for today’s Las Vegas Dressage Showcase as attended yesterday’s Grand Prix competition, which drew more than 7,300 spectators. But today was all about music, fun, and costumed exhibition rides – all by California-based riders and horses – plus a couple of milestone tributes.

The midday program kicked off with two “rising star” freestyles, ridden sans costumes: an Intermediate I Freestyle by Sabine Schut-Kery on Sanceo, and a Grand Prix Freestyle by Steffen Peters (who’s contesting the World Cup Final with Legolas 92) on the up-and-comer Rosamunde.

 

Sabine Schut-Kery rides Sanceo in an Intermediate I Freestyle. Photo by Jennifer Bryant.

The crowd was “looser” than at a traditional dressage competition, clapping and vocalizing freely during the rides. When Sanceo first entered the Thomas & Mack and spooked at a patch of unevenly dragged footing, the audience laughed; then when the stallion neighed, the crowd responded with a chorus of “awww.”

Light moments aside, Sanceo is a stunner, with tremendous scope and presence. His pirouettes and extensions drew cheers, and Schut-Kery was clearly thrilled with his performance.

 

OK, maybe she's a little too far underneath herself in front. But holy moly, can Rosamunde sit! Steffen Peters and his new wunderkind perform their Grand Prix Freestyle at the Las Vegas Dressage Showcase exhibition. Photo by Jennifer Bryant.

The other stunner is Rosamunde. It’s really hard to believe that this mare is only eight years old because her relaxation in the electric environment, coupled with her ease with the demands of the Grand Prix level, belie her age. She was so comfortable in the arena that I only saw her flinch once at some stimulus, and Peters was able to drop the reins and leave the arena on the buckle amidst the thunderous applause after his final halt and salute. Peters is not one to push a horse, and it’s obvious that Rosamunde has not been pushed. She’s extraordinary, and I expect great things from this pair in the future.

 

Not all dressage judging is this much fun! Linda Zang, Stephen Clarke, and Hans-Christian Matthiesen share a laugh with World Cup Finals announcer Bob Tallman (who's a well-known voice in the rodeo world). Photo by Jennifer Bryant.

With those more serious demonstrations concluded, it was time to turn the volume up – way up – for a three-way Dancing with the Stars-style pas de deux competition, complete with celebrity judges. FEI 5* judges Linda Zang of the US, Stephen Clarke of Great Britain, and Hans-Christian Matthiesen of Denmark made up the celebrity panel, awarding their scores via card after each ride.

 

Poison Ivy (Shannon Peters on Weltino's Magic) tries to put Batman (David Blake on Ikaros) under her evil spell. Photo by Jennifer Bryant.

Each pas de deux was themed, elaborately costumed, and expertly choreographed and edited. First up were Batman and Poison Ivy, aka David Blake on Ikaros and Shannon Peters on Weltino’s Magic. The horses – all of the horses today, actually – handled the atmosphere really well, in fact better than during the much quieter schooling session on Wednesday.

 

The Indian (Anna Dahlberg on Rico) meets the cowboy (Mette Rosencrantz on Marron). Photo by Jennifer Bryant.

Then we visited the “Wild Wild West” courtesy of cowboy Mette Rosencrantz on Marron and Indian chief Anna Dahlberg on Rico. The upbeat soundtrack included themes from The Lone Ranger, A Million Ways to Die in the West, and Bonanza. The excitable Marron did give a half-rear during the program, but I think the audience thought it was part of the act! The judges scored the program higher than the Batman performance – but as Clarke (who was obviously relishing his role as the Simon Cowell of the panel) quipped, “Mette has a gun, so I’m going up.”

It was the final pas de deux, however, that brought down the house, winning top marks both from the judges and from the audience applause meter. “Danny” (Jan Ebeling on Darling) pursued “Sandy” (Charlotte Bredahl-Baker on Chanel) to the well-loved songs from Grease. Judge Linda Zang commended the horses’ synchrony and also confessed an affection for the 1950s-style music, saying that “This was my era!”

 

Elvis (Guenter Seidel on Zamorin) is a hunka-hunka burnin' love accompanied by showgirls (from left) Michelle Reilly on Umeeko, Sarah Christy on Xirope, and Elizabeth Ball on Orion. Photo by Jennifer Bryant.

The final musical showcase of the exhibition was a “Viva Las Vegas” quadrille. Elvis (Guenter Seidel on Zamorin) was most definitely in the building, accompanied by the scantily clad showgirls Michelle Reilly on Umeeko, Sarah Christy on Xirope, and Elizabeth Ball on Orion. The quadrille wasn’t part of the celebrity judging, but it was the perfect extravaganza to conclude the exhibitions.

Tributes and Touching Moments

Two short, related ceremonies punctuated the otherwise-exuberant Las Vegas Dressage Showcase with a serious note. The first honored the contributions of E. Parry Thomas – yes, of the Thomas & Mack Center – to both Las Vegas and dressage. Thomas, now 94, was a banker who was instrumental in developing Las Vegas as a city and a resort destination. And thanks to the equestrian interests of his wife, Peggy, and daughter Jane, Thomas became a strong supporter of the sport. He and Peggy developed their River Grove Farm in Hailey, ID, where husband-and-wife team Bob and Debbie McDonald became the trainers. The Thomases went on to sponsor Debbie McDonald through their purchases of many top horses, including the legendary Brentina, McDonald’s 2004 and 2008 Olympic mount.

 

Rider Adrienne Lyle (right) helps to lead Wizard from the arena after his retirement ceremony. Photo by Jennifer Bryant.

A former working student of Debbie McDonald’s also benefited from the Thomases’ patronage. Adrienne Lyle was given the ride on their Wizard, whose career culminated in performances at the 2012 Olympics and the 2014 World Equestrian Games. The 16-year-old Oldenburg gelding (Weltmeyer x Classiker) appeared in public one last time in full show regalia (quite amped up in the T&M Center) before Lyle dismounted and the great horse was unsaddled, draped with a cooler, and led from the arena.

The tributes were a reminder that without supporters like Thomas and horses like Wizard, who give so much of themselves, dressage would be a pale shadow of the robust and thriving sport we have today. It was fitting that the ceremonies were bookended by the lighthearted and uplifting exhibition rides that, like our horses themselves, brought joy to so many.

Thanks, but I Think I'll Stick with Dressage

Adrienne Lyle of the USA rewards Wizard for his strong WEG Grand Prix team performance in a downpour. Photo by Jennifer Bryant.

The first half of the 2014 Alltech FEI World Equestrian Games has drawn to a close, and I've been surprised at how many of my journalist colleagues have said this WEG will be their last.

On further reflection, I'm not all that surprised. For one, attending is frightfully expensive, and a lot of us (including yours truly) are freelancers, meaning that we pay our own way.

But there's more to it than financial considerations. Equestrian journalists are, on the whole, horse people, and some are getting fed up with what they see in some of the disciplines.

One common sentiment: "I've had it with endurance." This sport has come under fire in recent years, with numerous allegations of doping, injuries, and shady equine-welfare practices, much of it focusing on Middle Eastern competitors. A widely circulated photo of an apparently emaciated endurance horse at a FEI-sanctioned 160-km event in May provoked outrage.

The mess is political, too, as so many messes seem to be: One of the competitors and horse owners who has undergone scrutiny, Sheikh Mohammed Al Maktoum, the ruler of Dubai, is married to Princess Haya, president of the International Equestrian Federation (FEI). Haya herself convened a task force to come up with ways to clean up the sport -- now that's gotta be awkward. Necessary, but awkward.

Classy move: Eventing competitor Nicola Wilson of Great Britain reassures Annie Clover as ring crew reassembles the show-jumping fence she refused. Photo by Jennifer Bryant.

Now to eventing. I have an uneasy relationship with this discipline, at least at the top levels. On the one hand, as a former eventer myself, I have a fondness for the sport. A keen event horse loves his job and is a blast to ride, and event riders are the ne plus ultra of horsemen: They are down there in the muck with everybody else, they know every inch of their mounts, and their horse-management skills are superb.

On the other hand, eventing has always been a dangerous sport (ask me about the horses and riders who nearly drowned at the 1968 Mexico City Olympics). Sensibilities have changed in past decades, and the general public no longer tolerates reports of horse injuries or deaths; the advent of social media has a lot to do with that, of course.

Reacting to the outcry, the FEI has changed the makeup of top-level three-day events by removing the roads-and-tracks and the steeplechase portions of the cross-country phase. That's either a good thing or a terrible thing, depending on whose opinion you listen to. And xc fences are now constructed using frangible pins in an effort to reduce the number of catastrophic rotational falls. But course designers have to challenge competitors somehow, and so xc courses have become more and more technical -- almost like stadium-jumping courses set over natural terrain. The obstacles themselves are bearing less resemblance to traditional xc fences -- logs and gates and ditches and so forth -- and instead skew toward the weird, the wacky, and the super-skinny. (Check out Eventing Nation's 2014 WEG virtual course walk and you'll see what I mean.)

Some of these super-tricky courses seem not to have been designed with much tolerance for poor footing -- which we had in abundance at Haras du Pin at the WEG, so much so that wags dubbed the 2014 WEG xc "the Woodstock of eventing." When such veteran competitors as Olympic team gold medalist Phillip Dutton retire or are eliminated, is the course too difficult for the conditions, or are the horses insufficiently prepared, as some allege? I don't know the answer, but for some additional food for thought, read the award-winning British journalist Pippa Cuckson's column about Badminton 2014.

The other equestrian discipline featured during week 1 of the 2014 WEG was reining. I'd watched reining competition at the 2010 WEG in Kentucky, but before Normandy I'd never seen the warm-up. Let me preface this by stating that the top competitors I saw weren't engaging in questionable practices, but those of you who decry "rollkur" in dressage had better keep away from reining. Some horses' chins were on their chests. Post-sliding stop, some riders jerked the reins sideways -- why, I couldn't tell. One horse opened its mouth wide, in obvious pain, every time the rider touched the reins.

In the competition arena, one reining horse's front legs buckled so badly after it stopped that I (and other journalists) feared it might go down. And from the lesser competitors, the lack of a horse-rider connection was almost palpable: There was plenty of machismo and showboating for the audience, but not so much as a pat for the horse.

So although I dislike our sport's "dressage queens" and know that whenever an animal is involved the possibility of abuse exists, on the whole dressage and para-equestrian dressage are two disciplines that appear to be going in the right direction. The judging standard is increasing, meaning not only higher scores but a renewed emphasis on harmony between horse and rider. The brilliant, tense, explosive, non-halting tests of yesteryear no longer cut it.

I can't vouch for every single competitor at the WEG, but the top riders I talked to expressed concern for their horses' well-being and pride in their training. They're critical of themselves, happy with their mounts, and the scores and medals are secondary. OK, I know they weren't here for a fun outing, and these people have a mean competitive streak, but a sense of horsemanship comes through -- of not having lost sight of the reason they started riding in the first place.

WEG individual Grand Prix Special and Freestyle silver medalists Helen Langehanenberg and Damon Hill NRW of Germany. Photo by Jennifer Bryant.

As Grand Prix Special and Freestyle individual silver medalist Helen Langehanenberg said of her mount, Damon Hill NRW: "He has the best character someone can have. He’s absolutely honest and he’s the best.”

Langehanenberg thinks her horse is the best in the world. I happen to think my horse is the best in the world. And that's the way it should be. For if we don't love them and do our best for them, all the medals in the world are just so many pieces of meaningless tin.

Laura Graves Isn't in Kansas Any More

Laura Graves and Verdades passage their way to a 77.157 and eighth place in the WEG Grand Prix Special. Photo by Jennifer Bryant.

After her Grand Prix test yesterday, Team USA’s Laura Graves talked about adjusting to the realization that she and her horse, Verdades, had been named to the 2014 Alltech FEI World Equestrian Games dressage team. It didn’t all sink in until yesterday, she said, and when she first heard the news there were no “fireworks and rainbows.”

Maybe someone overheard Graves’s comment, for “Over the Rainbow” was among the medley of songs playing during her spectacular Grand Prix Special test today (more on those songs in a minute).

“Diddy’s” tension all but disappeared today, and we saw the horse who wowed us at the WEG selection trials in June. Better than at Gladstone, actually: There was an added power and expression to Diddy’s piaffe and passage, and the test was spot-on accurate. Best of all, he achieved that elusive goal of making the extraordinarily difficult Grand Prix Special test look elegant and easy.

“He was just really nice to ride—which is why we do this, isn’t it?” Graves said afterward. “To go in and have a ride when you can’t be too critical of anything is a really nice ride to have.”

 

GP Special gold medalists Valegro and Charlotte Dujardin of Great Britain. Photo by Jennifer Bryant.

Graves’s score of 77.157 percent vaulted her into the lead—for a while, anyway. But the British and German juggernaut came along, and reigning Olympic champions Charlotte Dujardin and Valegro took the definitive and unshakeable lead with a score of 86.120 percent, which would have been even higher had it not been for a momentary resistance in the walk-piaffe transition and a mistake in the two-tempis. (Australian judge Susan Hoevenaars, the head of the ground jury today, quipped afterward: “We wanted to give her 90 percent, but she wouldn’t let us.)

 

GPS silver medalists Damon Hill NRW and Helen Langehanenberg of Germany. Photo by Jennifer Bryant.

On Dujardin’s heels through the entire competition and finishing second again today was Germany’s Helen Langehanenberg with the fourteen-year-old Westfalen stallion Damon Hill NRW (Donnerhall x Rubinstein I). Damon Hill is a fabulous athlete with an impressive piaffe-passage but lacks just a smidge of Valegro’s elasticity and range. An almost mistake-free test with a slight loss of balance in the piaffe after the walk put Langehanenberg in silver-medal position with a score of 84.468 percent.

A newcomer to the international-championships scene claimed the individual GPS bronze: Kristina Sprehe on the thirteen-year-old Hanoverian stallion Desperados FRH (De Niro x Wolkenstein II). From Sprehe’s wide eyes and at-a-loss-for-words responses in the post-medal ceremony press conference, it was evident that the 27-year-old Sprehe was amazed at her medal-winning score of 79.748 percent.

Graves and Verdades ended up eighth in the Special, beating tenth-place finishers Steffen Peters on Legolas 92—just as Peters had predicted could well happen one of these days. Legolas’s GPS test was a marked improvement over yesterday’s Grand Prix, with one mistake in the one-tempi changes on the center line and a final score of 75.742 percent.

 

Fans cheer on the American riders. Photo by Jennifer Bryant.

“It was tricky because in the warm-up, he didn’t want to stop after nine [tempi changes],” Peters said afterward. “I was super-excited that he actually quit on nine. And I had a better feeling than yesterday in the Grand Prix, and seeing those two American flags up there, making it into the final, that’s just awesome. We’re ‘keeping it in the family.’” But make no mistake: Peters isn’t ready to cede to Graves just yet. “Legolas has a hell of a freestyle,” he said.

Unfortunately, this was not Adrienne Lyle's day. A test marred by a series of mistakes gave the fifteen-year-old Oldenburg gelding (Weltmeyer x Classiker) a disappointing score of 69.202 percent for last place.

"My horse was not himself; something was bothering him," Lyle said afterward. 

Another disappointed competitor was German team gold medalist Isabell Werth, whose mount, Bella Rose 2, was withdrawn from the individual competition because of what the German federation called inflammation of the sole of the foot. When I find out more about that, I'll let you know.

Name Those Tunes

Oh, and about that music: Each rider gets a background-music medley of instrumental tunes, obviously chosen to reflect the nationality and the horse’s gaits, during the tests. The music is loud enough over the PA system that the effect is not unlike watching a freestyle, although Laura Graves said it’s not as loud in the arena itself. The effect can be pleasing or distracting, depending on whether the tempos match (they’re often not perfect) and whether the music selection seems appropriate for the pair. For instance, Carl Hester of Great Britain rode his Special aboard Nip Tuck to Rolling Stones tunes—OK, that makes sense. But the Netherlands’ Hans Peter Minderhoud on Glock’s Johnson TN rode to “Werewolf in London” followed by “It’s Raining Men.” To borrow from Forrest Gump, that’s all I’m going to say about that.

On Deck: Freestyle Friday

The second individual-medal dressage competition, the Grand Prix Freestyle, takes place Friday after the horses and riders enjoy a well-deserved rest day tomorrow. Audiences will be watching eagerly for Graves’s new freestyle: She says she’s amped up the difficulty and changed the choreography to improve the flow.