An Energizing Finish

As necessary and important as USDF conventions are, sometimes the topics discussed seem removed from the reason we’re actually there: the horses. Rules, awards, and governance matters are part of the fabric of our sport, but they’re not riding. As the meetings wear on, I tend to get squirmy in my seat, glancing at my watch, longing for fresh air and that intoxicating perfume known as Eau de Cheval. 

I stopped fidgeting and forgot all about the clock yesterday, the final day of the 2018 Adequan/USDF Annual Convention in Salt Lake City. It’s not an easy feat to make a classroom dressage-education session as rich and compelling as a clinic setting with live horses, but panelists Lilo Fore, Marilyn Heath, Gary Rockwell, and Lois Yukins raised the bar to a new level with their discussion on the newly revised pyramid of training. 

Dear reader, if you get the chance to learn from any of these esteemed dressage judges/trainers, in any setting, do it. These are four of our country’s most experienced dressage pros, and not only do they know what they’re looking at and how to evaluate it, but they are passionate about teaching and sharing their knowledge with any dressage enthusiast who wants to learn. Lilo, Marilyn, Gary, and Lois all are variously faculty members of the USDF L Education Program or have served on the USDF L Program, Judges, or Instructor/Trainer Committees. These volunteer positions require a tremendous amount of time and commitment; people don’t do it for the glamorous perks. They do it because they care about horses and the sport of dressage.

In their convention session, each of the four panelists discussed different levels on the newly revised pyramid of training (which Marilyn Heath also writes about in her “The Judge’s Box” column in the December 2018/January 2019 issue of USDF Connection). Here’s a graphic of the pyramid, which is similar to the previous version but contains some wording changes:

 

The newly revised pyramid of training. Illustration copyright 2018 by the United States Dressage Federation. 

One notable change is the changing of the name of the third level of the pyramid from Connection to Contact. Both terms were used in the previous pyramid version and appear in the new version as well, but as Heath explained, the change aligns the USDF pyramid more closely with the FEI’s own training scale; plus, “you need to have a little bit of contact before you can have connection.” Connection, she said, can’t happen on a looped rein. “It’s a matter of being there for your horse when you ask him to connect from back to front.”

The “back to front” concept is the key point here. Contact doesn’t mean pulling or hanging on the reins. The horse is ridden forward into the contact, not restrained into contact. 

One of the best things about getting a really good panel together is that the presentation comes alive. The panelists riff off one another and elaborate on one another’s points, and the discussion can go in unexpectedly wonderful directions. As an audience member, it can feel as if the presenters kick a rock in their path and uncover a new treasure. Here are a few examples of the gems I took away from the panel with Lilo, Marilyn, Gary, and Lois:

·     The rider’s aids should consist of about 80 percent “core” (the muscles of the trunk and upper legs; “core” includes the use of the rider’s weight). About 18 percent should be from the rider’s legs. That leaves only 2 percent of the aids that should come from the rider’s hands. –Marilyn Heath

·     All of the components of the pyramid of training—rhythm, suppleness, contact, impulsion, straightness, and collection—go hand in hand. When you ride, “you are ‘swimming’ back and forth from one to the other.” –Lilo Fore

·     The pyramid illustration itself is a graphic approximation of the “training scale” but is not intended to be taken literally (as in, "you must master Rhythm before moving on to Suppleness”). Although collection is considered the pinnacle of the pyramid, it cannot be achieved without all of the other elements. Conversely, even at the lowest levels of dressage with a green horse the rider should be thinking about encouraging the horse to develop the ability to shift weight from his forehand onto his hindquarters—the basics of collection. –Gary Rockwell

·     It is not natural for a horse to be completely straight. As prey animals, horses instinctively want to look in one direction while dropping a shoulder to flee in the other. If they do not do so, they make themselves vulnerable to predators. That’s why “that is the ultimate submissive quality in a horse—that it trusts the rider enough to be straight.”  –Lois Yukins

·     The tempo of each gait ideally should remain the same throughout the test, including lateral work, pirouettes, and so on. If the tempo slows, impulsion is lost. –Lilo Fore

·     “If the rider’s body is moving up and down, the horse’s back will not come up to meet the rider. That’s why we need to learn to sit. A quiet seat will enable a horse to easily balance himself.” –Gary Rockwell

·     “The pyramid of training does not address the rider, but the best-trained horse will not be successful without correct riding.” –Marilyn Heath

·     “When a horse feels heavy on one rein, you’re not actually feeling heaviness; you’re feeling weight-bearing.” The cause of the apparent heaviness lies in the hind legs, which are not carrying equal weight. When the horse is made straight and equally strong on both sides through correct gymnastic training, the contact will feel even because he will not be relying on a rein to help support the balance disrupted by the weaker hind leg. –Lois Yukins

Freestyle Motion Passes, but Don't Expect Immediate Change

The USDF Board of Governors today approved the motion directing the USDF to recommend that US Equestrian, the national governing body of equestrian sport in the US and the rule-maker for US dressage national-level competition, rescind the rule change that increased the prerequisite qualifying score to compete in freestyle from 60 percent to 63 percent, earned at the highest test of the level.

The Board of Governors assembly wrapped up this morning at the 2018 Adequan/USDF Annual Convention in Salt Lake City.

Passed as what US Equestrian refers to as an extraordinary rule change--meaning at a time other than during the usual December-January USDF/US Equestrian convention and rule-change-approval time frame--the score-prerequisite rule (DR 129.9) takes effect today, December 1, 2018.

Even with the motion passed, USDF president George Williams emphasized after reading the results of the vote, dressage competitors should not expect change to be immediate, or in fact expect that the rule will actually be rescinded.

The ultimate decision, Williams said, is in the hands of US Equestrian's dressage-rule-making body, the USEF Dressage Sport Committee (DSC). The USDF's recommendation must go through the channels and be discussed at a future DSC meeting, and any actions would then require approval per US Equestrian's own procedures. The bottom line, Williams said, is that the score increase indeed has taken effect and will be the rule for some time to come. And the DSC could well vote to uphold the freestyle rule as it stands now.

Although some of the BOG delegates who spoke out in favor of rescinding the rule will undoubtedly be disappointed if that does not come to pass, many expressed a measure of satisfaction just knowing that the motion may "send a message" to US Equestrian, as some put it.

"I think it's important to us to send a message [to US Equestrian] that this is inappropriate," said delegate Barbara Cadwell, referring to the fact that the mid-year "extraordinary" nature of the rule change meant that it failed to register on some dressage enthusiasts' radar until after the rule change was passed. "I don't object if it's done right. I want to publicly smack their hand."

Many delegates who spoke out, both for and against the motion, said that they actually support the score increase as a way to help ensure that horses being shown in freestyle classes have the basics and the training to be able to execute their routines capably and without struggling or confusion. Higher standards, many said, help to protect equine welfare and guard against unintentionally abusive riding. I came away from the BOG vote with the sense that many delegates viewed a "yes" vote on the motion as a rebuke, not of the standards but of US Equestrian's decision to fast-track the rule change with what USDF delegates perceived as inadequate transparency or requests for comment prior to the rule's passage.

Yesterday, Today, and Tomorrow

New US dressage national technical advisor Debbie McDonald (at podium) discusses her plans to keep the USA on the medal podiums during the USDF Board of Governors assembly. Photo by Jennifer Bryant.

Even a sport as traditional as dressage evolves as the years pass. Organizations similarly need to adapt to changing times, and the challenge becomes finding ways to honor the past and “hold fast to that which is good” while staying current and appealing to the next generation.

I think the USDF is in such a period of change. At yesterday’s Historical Recognition Committee open meeting, we discussed how best to ensure that important supporters of American dressage are not forgotten, by explaining their contributions to a USDF membership that is increasingly unfamiliar with such names as Lowell Boomer, Violet Hopkins, and Chuck Grant. At today’s kickoff session of the 2018 USDF Board of Governors (BOG) assembly, outgoing USDF president George Williams received a standing ovation of thanks as he winds up his eight-year term, and current USDF VP Lisa Gorretta punctuated her entertaining presidential-candidate BOG presentation with photos of memorable moments in her 30-plus-year career as a dressage rider, volunteer, and official. 

Faces like George’s and Lisa’s have become part of the reassuring fabric of the USDF—the steadfast supporters who, it seems, are always there when we need them. I see many of our regional directors and BOG delegates just once a year—at convention—and no matter what forgettable hotel or unfamiliar city we might find ourselves in, being surrounded by these passionate dressage supporters always feels a little bit like coming home.

 

USDF Board of Governors delegates give outgoing USDF president George Willams a standing ovation. Photo by Jennifer Bryant.

These stalwarts won’t always be there, of course, and a chunk of today’s convention sessions involved discussions of how best to “bring along” the dressage participants of tomorrow, both human and equine.

In the Competition Open Forum, Dressage Seat Equitation Task Force chair Sarah Geikie talked about her group’s quest to make dressage-seat equitation a more visible, popular entry point for youth in our sport. A troubling statistic, Geikie said, is a dropoff in USDF youth memberships over the past five years—a decline that she herself could not explain and expressed a desire to research more thoroughly. The costs of riding and horse ownership, which continue to rise, are undoubtedly factors, with fewer parents being able to afford horses for their kids, Geikie said. As some in the audience pointed out, young people may be turning to high-school and collegiate programs that offer competition opportunities without having to own a horse, and the USDF may need to reach out to such programs, to renew alliances or forge new partnerships.

Another factor may be young people’s desire to enjoy an activity in the company of peers. A “token kid” at a predominantly adult dressage facility may feel out of place, and let’s face it, hanging out with a bunch of adults isn’t much fun when you’re a teen or tween. At the same time—I say this from personal experience—being a “non-elite” kid surrounded by a bunch of privileged, cliquish youths is no party either. If dressage can figure out how to bring the joy of horses and riding, like-minded companionship, and fun to young people, we’ll be able to write our own ticket. 

We need to nurture our young dressage horses as carefully as our young dressage riders. In an evening panel discussion, convention-goers heard advice on the training, competition, and judging of young horses from three of the best in the business: retired FEI 5* judge Lilo Fore, Olympian and current USEF national dressage young-horse coach Christine Traurig, and Olympian and experienced trainer Lisa Wilcox. 

According to the panelists, the art of training young dressage horses lies in the horsemanship of determining when a horse needs more time to mature, physically or mentally; and at the same time maintaining high standards for correct training according to the pyramid of training—of recognizing what demands are appropriate for the young horse and being as disciplined about training with a five-year-old, say, as with the older horse. It’s not doing the young horse any favors to ride with lax standards, the panelists said. Too much leniency, or a failure to adhere to the correct training path according to the pyramid, can create training problems or “holes” that will require extensive work to undo and retrain correctly. The rider of a young horse should seek the guidance of an experienced trainer if needed to help ensure that the horse is on the correct path. And never forget that the goal is Grand Prix—that the training of the young horse is establishing the fundamentals he will need to move up the levels.

From the Sublime to the Serious

USDF members enjoy the welcome reception at the 2018 Adequan/USDF Annual Convention in Salt Lake City. Photo by Jennifer Bryant.

The first day of regional meetings, open committee meetings and forums, and education sessions at the 2018 Adequan/US Dressage Federation Annual Convention dawned in the usual way.

Everywhere you look in the convention host hotel in Salt Lake City, you see tight clusters of dressage colleagues or old friends (often one and the same) holding impromptu meetings and catch-up sessions, in the hotel lobby, in every available group of chairs, in hallways outside meeting rooms, in the restaurant and the on-site Starbucks.

Jet-lagged USDF members, coffees in hand, start the day at their respective regional meetings. Then convention attendees fan out to the various other meetings, and from there things typically begin to get interesting.

GMO baskets await their lucky winners. Photo by Jennifer Bryant.

Today's most "interesting" topics were the impending US Equestrian rule change raising the prerequisite score to ride a dressage freestyle from 60 percent to 63 percent; and the also-impending mandate that US Equestrian adult members with Competing memberships must complete SafeSport training in order to be eligible to participate in US Equestrian activities.

The freestyle rule change (DR 129.9) was approved by US Equestrian in August and takes effect December 1, 2018. The SafeSport mandate originated with the US Olympic Committee and extends to all of the USOC's affiliated sport organizations, known as national governing bodies (NGB). US Equestrian is the US NGB for equestrian sport. The federal government since also enacted legislation requiring amateur sport organizations and their members to report sex-abuse allegations involving minors to local or federal law enforcement. Current US Equestrian members must complete SafeSport training by January 1, 2019.

Some USEF/USDF members object to the freestyle-score hike, either in principle (they fear it will deter participation in dressage) or in practice (they feel the extraordinary rule change was passed in haste and that competitors were given insufficient advance notice). Nobody actually objects to SafeSport training in concept (there is some griping about the amount of time it takes), but some people at the USEF/USDF Open Forum wished this hadn't been dropped on the equestrian community quite so suddenly.

The SafeSport training issue is pretty cut-and-dried. It's coming down from above in response to the horrific allegations from athletes (most notoriously gymnasts, but also equestrians) that exposed the ugly underbelly that has been present in some sports for many years. Ranked by numbers of active investigations of misconduct allegations, equestrian sport as a whole is #4 on the USOC's list of its 50 affiliates. So yeah, our sport needs to clean up its collective act, stat.

As for the freestyle controversy, it was pointed out that similar outcries occurred the last time the minimum qualifying score was raised, from 58 percent to the current 60. The result? People learned to ride better. Since horse welfare and a desire to reinforce the importance of correct training were behind the decision to raise the bar again, said FEI 5* dressage judge Gary Rockwell, the respective USDF committees behind the rule-change proposal, the USDF Executive Board, and the US Equestrian Dressage Sport Committee stand behind the decision as in the best interests of the horse and the sport.

Trauma surgeon Dr. Chris Winter presented some sobering statistics about rider injuries at his education session. Photo by Jennifer Bryant.

Thursday in Salt Lake City wrapped up with a considerably more sober presentation. Trauma surgeon Dr. Chris Winter gave the 2018 USDF convention's first education session, on handling emergency rider situations. The takeaway is that, unfortunately, riding and working around horses is very dangerous--more so than riding a motorcycle--and even skilled riders can get hurt. Be as safety-conscious as possible when you interact with your horse, and always wear a helmet--not just any helmet, but one that's carefully fitted to offer maximum protection. Learn the signs of traumatic brain injury (concussion is a mild form of TBI), and be sure that anyone who exhibits any symptoms of possible TBI or other injury gets checked out by medical professionals.

The radiographs and MRI images of rider injuries and their surgical aftermaths that Dr. Winter showed elicited more than a few gasps from the convention audience. As someone who's been injured and had to work through fear in getting back in the saddle, I'll admit the presentation made me uneasy and stirred up some old emotions. But as Dr. Winter said, equestrians need to understand the risks associated with our sport. We either find a way to accept the risk and take steps to minimize it, or we quit riding. We can't pretend the risk doesn't exist. So yes, I'm eager to get home to my horse--but my helmet will be strapped on securely.

Leaving Las Vegas

Homeward bound. Photo courtesy of the Las Vegas News Bureau. 

I’m writing this on the plane from Las Vegas, site of the 2015 Adequan/USDF Annual Convention. Personally I’d be OK with never having to set foot in a casino again ­­— if there’s a more pathetic sight than a handful of all-nighter gamblers on the casino floor at 6:00 a.m., clutching their beers at the blackjack tables while Christmas music warbles in the background, I don’t know what it is — but the USDF members I talked to made the most of the less seedy aspects of Sin City, like the shows, the excellent food, and a classy wine-tasting venue at our host hotel. (But if anybody indulged in a Chippendales show, they haven’t admitted it to me yet.)

No beefcake for me in Vegas: I, like many other convention-goers, was so tightly scheduled that extracurricular entertainment was out of the question. And a number of Executive Board members and other committee VIPs had it worse than I, with meetings beginning at 7:00 a.m. and going nearly nonstop until 10:00 p.m. If I heard any complaints about this year’s convention, they revolved around the jam-packed meeting schedule. Some years ago the USDF cut a day out of the convention in an attempt to ease committee members’ travel burdens, but this year a few people were saying that maybe it’s time to consider adding that day back again.

The meetings, although a whirlwind, are always worthwhile. As a committee member (Historical Recognition), it’s wonderful to welcome USDF members, with their varied perspectives and backgrounds, to the open meetings. You’d be surprised at how many actionable ideas — not to mention story ideas for USDF Connection — bubble up from these informal exchanges. The cross-pollination of ideas can be especially valuable. In the open Membership Committee meeting, for example, I listened to several thoughtful comments regarding the challenges facing USDF group-member organizations (GMOs), which I then took to USDF Connection’s group of editorial advisors so that we could brainstorm ways to bring additional GMO-focused content to USDF’s member magazine.

 

Allyn Mann of Luitpold lectures on equine joint health. Photo by Jennifer Bryant. 

And the education! It’s always a treat. This year, the USDF was fortunate to have chosen the same convention city as the AmericanAssociation of Equine Practitioners, the US professional association of horse vets. Our top veterinarians attend the AAEP convention, and several of them spoke at the USDF convention, on topics ranging from equine back lameness to the role of good old-fashioned horsemanship in keeping our horses happy and healthy. Some of the speakers are, or have been, US Equestrian Team or FEI veterinarians and are world-renowned experts. These are the kinds of vets whom you’d pay dearly for a consultation — and here they were in front of us in a meeting room, lecturing and answering questions. Priceless. I took notes as fast as my fingers could type, and I’ll be bringing you reports on selected sessions in future issues of USDF Connection.

USDF president George Williams presents Melissa Creswick of the California Dressage Society with the 2015 Region 7 GMO Volunteer of the Year award. Photo by Jennifer Bryant.

Convention concludes with a celebration of the year’s dressage accomplishments at the Salute Gala & Annual Awards Banquet. Outstanding volunteers are honored, and we learned about the many contributions of USDF Volunteer of the Year Roz Kinstler and USDF Youth Volunteer of the Year Rebekah Mingari, both of whom you’ll be meeting in USDF Connection soon. We celebrated our gold-medal-winning US 2015 Pan American Games dressage squad, and we clapped, cheered, and whipped out our smartphones to record friends and loved ones’ moment on stage as they accepted rider medals, year-end awards, and All-Breeds awards.

This year’s banquet did have one sad note, however, because 2015 USDF Lifetime Achievement Award recipient Lloyd Landkamer was not with us to accept his award. Lloyd, a former USDF Region 4 director and an internationally known show manager and dressage steward (I’m just scratching the surface of his many roles, contributions, and accomplishments here), lost his battle with cancer in September. It was obvious, based on the number of people at the banquet who wept openly before and during the Lifetime Achievement Award presentation, that Lloyd was far more than a colleague to many in the dressage world. The dressage world is a small world, and many in the dressage world and the USDF community considered Lloyd a treasured friend or even family. We have lost a family member and feel that loss keenly. But it is those bonds, and our shared love of the horse and our sport, that will help to keep the USDF and American dressage strong. If you couldn’t make it to Las Vegas this year, I encourage you to come to the 2016 convention in St. Louis. You won’t regret it.

According to the BOG, West Is Not Best for US Dressage Finals

The 2015 USDF Board of Governors. Photo by Jennifer Bryant.

In 2011, when the USDF Board of Governors (BOG) voted to approve the creation of a new national dressage championships called the US Dressage Finals, they green-lighted a motion that "proposed" -- not mandated -- the rotation of the championships location from East to West every three years.

The 2013, 2014, and 2015 editions of the US Dressage Finals presented by Adequan were held in Lexington, Kentucky, at the Kentucky Horse Park. The USDF decided to commit to Kentucky for the 2016 show, as well...but then what?

A site-selection committee headed by USDF president George Williams and US Dressage Finals organizer (and former USDF secretary) Janine Malone did research and identified the HITS Desert Horse Park facility in Thermal, California, as a likely location for the 2017 Finals. But then a funny thing happened: Some people started wondering whether the Finals shouldn't remain in Kentucky, after all.

According to Malone, it's not unheard of for a BOG to vote to overturn a decision approved by a previous BOG. Thus it came to be, on the first of two days of the 2015 BOG assembly, that group-member and participating-member delegates engaged in a good hour of impassioned debate as to whether the Finals should be given a permanent home at the Kentucky Horse Park or whether it was better to honor the wishes of the 2011 BOG and attempt to allocate the Finals locations in something of an equitably divided manner between the two halves of our enormous nation. Then it was time for the BOG to vote on the motion, which was to commit to a Western Finals in 2017.

US Dressage Finals officials Janine Malone and George Williams address the Board of Governors. Photo by Jennifer Bryant.

I've sat through enough debates at enough BOG assemblies that I can usually tell which way the winds of popular opinion are blowing; when the vote comes, it's not too much of a surprise. But honestly, today I couldn't get a sense of which way the vote was going to go. As a colleague remarked to me after the discussion period had been ended and the voting had begun, all of the delegates who waited patiently at the microphones for their turn to speak made thoughtful, persuasive arguments. There wasn't as much "I want the Finals in my back yard because I don't want to travel" as you might imagine, and there were even a few surprise endorsements of Kentucky as a permanent Finals site by West Coast-area delegates. Some people pointed to the success of such institutions as the Rolex Kentucky Three-Day Event and the iconic show in Aachen, Germany, which are always held in the same location. California Dressage Society president Kevin Reinig made several trips to the microphone, declaring that "We will do whatever it takes to make the Finals a great show." Riders from the western half of the US lobbied for the opportunity to show at a championships a more reasonable distance from home.

I was in for another surprise when George Williams announced the results of the electronic voting. Assuming a close race, I didn't expect the motion to be defeated soundly, with 855 delegates voting no and 569 voting yes, with 12 abstaining.

But it ain't over 'til it's over, and there is much still to be decided. Janine Malone said that some facilities won't commit to less than a three-year contract. It looks as if the US Dressage Finals will remain in Kentucky through 2017, but what is to happen in 2018 and 2019? That question may be decided tomorrow morning when the BOG reconvenes. Before they adjourned today, delegates agreed to resume discussion tomorrow. Tomorrow they may determine the future of the US Dressage Finals.

One thing emerged clearly from the discussions, however: The Finals, which were so long in the making and doubted by so many, have exceeded expectations and have quickly become a prestigious flagship event for the USDF. This show has been embraced and continues to earn accolades from competitors, officials, and spectators alike. The US Dressage Finals are a point of pride, and no one wants to see them lose their luster or become diminished in any way. What a difference five years has made!

The Rio Grande

Our convention host hotel: The Rio All-Suites Hotel and Casino. Photo courtesy of the Las Vegas News Bureau. 

Everything's supposed to be bigger and better in Texas, but perhaps they haven't compared the Lone Star State to Las Vegas.

Here, everything seems outsized. The portions. The rooms. The sheer number of eateries, casino attractions, lit-up twinkly signs, and crowds of determined-looking gamblers.

Have I mentioned the hike from the main hotel portion of the building to the convention-center area?

Folks, if you're coming to convention, pack your comfortable shoes. It can be upward of a 15-minute walk from your hotel room to a meeting room. The cavernous hallway that winds past the breakfast restaurant, and the Starbucks, and the spa, and the Penn & Teller theater, and a bunch of other meeting rooms before you arrive at the promised land of friendly USDF faces and enticing sponsor displays goes on...and on. So don't say I didn't warn you!

On the bright side, if you don't have time to squeeze in a workout, you'll get some measure of your daily aerobic requirements just going to and fro. If you do that 10,000-steps fitness-counting thing, these next few days are going to be a piece of cake. And speaking of cake, if you eat any, you'll walk it off.

Fitness expert Jennifer Kotylo (front) leads USDF members in an early-morning Pilates class. Photo by Jennifer Bryant.

But just in case you want more than walking, you can get up early every day and meet equestrian-fitness expert and Pilates and Balimo instructor Jennifer Kotylo (whom you may recall having met in "Loosen Up!", our article on dealing with tight hips, in the November issue of USDF Connection) for a fitness session. This morning about 20 intrepid USDF members got a 45-minute introduction to Pilates and its core concepts -- literally, since Pilates is all about core strength and stability. (It's changed my riding. I highly recommend it.) Tomorrow Jennifer's going to teach us about Balimo exercises as developed by biomechanics expert Eckart Meyners, and Saturday's going to be devoted to "a whole bunch of other stuff" from Jennifer's bag of tension-easing, balance-promoting, rider-enhancing tricks.

Each of USDF's nine regions had the first of two meetings this morning. I'm from Region 1, and the hot topic in my meeting was the US Dressage Finals -- specifically, the issue of whether to execute the original approved plan of initiating the Finals in the eastern part of the US (the first four years, 2013-2016, will have been held at the Kentucky Horse Park) and then moving west in 2017, most likely to the HITS Thermal grounds in California, according to Finals organizer Janine Malone. There are strong feelings on all sides of the location issue, and I'm betting it'll be the flash point of this year's USDF Board of Governors assembly, which begins tomorrow.

What else has gone down thus far? Several committee meetings and the annual United States Equestrian Federation rule-change forum, at which members of the USEF Dressage Committee explain proposed USEF rule changes that could affect dressage and solicit input in advance of January's USEF convention. One proposed rule change, which would disallow double bridles at Third Level in USEF/USDF dressage competition, was not met with enthusiasm. A straw poll of forum attendees showed strong support for the current rule, which gives riders the option of using either the double or the snaffle bridle at Third Level.

The other rule-change forum hot button involved two proposals pertaining to the current rule regarding the use of logos on saddle pads. Although members of the USEF Dressage Committee expressed strong support for rules that help enforce the distinction between amateur and open (professional) riders, the audience favored a rule-change proposal that would allow all dressage competitors to display a modestly sized logo on saddle cloths. I can't predict how this one will wind up, so we'll have to wait to see what comes out of the USEF convention.

OK, speaking of meetings, I have another one in 15 minutes, so I'd better wrap up this post. Tonight: welcome reception. Watch the blog and the USDF Facebook page for photos!

What Happens in Vegas...

...will appear in this space! Tomorrow I'll be winging my way to Sin City for the 2015 Adequan/USDF Annual Convention. Follow my blog for photos, news, governance decisions, awards, and fun stuff from Las Vegas.

Photo courtesy of the Las Vegas News Bureau

This year's convention should be particularly chock-full of great education because the United States Dressage Federation is taking full advantage of the fact that its convention in Vegas coincides with that of the American Association of Equine Practitioners. A virtual Who's Who of top equine veterinarians will be speaking to USDF convention attendees about the latest in horse-health science. I personally love learning about horse-health topics, so I'm going to feel like a kid in a candy store. Except that I plan to share as much candy with you as possible -- nuggets in blog posts, and more detailed reports in future issues of the USDF member magazine, USDF Connection.

But of course that's just scratching the surface of what happens during a USDF convention. There are committee meetings, a United States Equestrian Federation open forum during which USDF members can learn about and voice opinions on proposed USEF rule changes concerning dressage, a fabulous silent auction benefiting USDF youth programs, and of course a plethora of awards and honors. Join me for all the fun, and I hope to see you in Las Vegas!

Long Live the Queen

Charlotte Dujardin and Valegro on their way to their second consecutive Reem Acra FEI World Cup Dressage Final title. Photo by Jennifer Bryant.

Her new logo – just released within the past couple of weeks – incorporates an image of a crown, so it’s only fitting that Charlotte Dujardin, the Queen of Everything, retains her title.

With the almost too-good-to-be-real Valegro, the British woman is now the back-to-back Reem Acra FEI World Cup Dressage Final champion as well as the reigning Olympic, European, and World Equestrian Games champion. With the same How to Train Your Dragon freestyle that won gold in Normandy last August, Dujardin squashed the competition with a score of 94.196 percent in today’s Grand Prix Freestyle, coming just tenths of a point short of the world-record score of 94.300 percent she and “Blueberry” set at Olympia in London last December. The nearly foot-perfect freestyle brought the crowd of nearly 11,000 in the Thomas & Mack Center to its feet for a thunderous ovation.

“Valegro just loves it,” Dujardin said afterward when asked how she keeps the 13-year-old Dutch gelding (Negro x Gerschwin) going. “It’s not like I have to force him, because he loves the work.”

Dujardin frequently comments on how lucky she is to have the ride on this reliable horse. “I just sit and steer him ’round. There’s no sweat involved,” she quipped.

 

Edward Gal and Glock's Undercover N.O.P. of the Netherlands passage to second place in the World Cup Dressage Final freestyle. Photo by Jennifer Bryant.

Nearly 10 percentage points behind the untouchable Dujardin was second-placed Edward Gal of the Netherlands, who piloted the 14-year-old Dutch gelding Glock’s Undercover N.O.P. (Ferro x Donnerhall) to a score of 84.696 percent. Undercover was more relaxed than he’d been in Thursday’s Grand Prix, with a longer neck and a nose in front of the vertical. He could have stretched out more in the extended trots, and the walk rhythm varied a bit at times on account of tension. His pirouettes drew audience applause. It was a solid program to mildly interesting but not compelling orchestral instrumentals; bottom line, it wasn’t Dujardin’s freestyle.

Gal showed a quick wit and good humor when he was asked how it felt to be the oldest rider at the press conference for the top four finishers. “Normally I’m not the oldest one because Isabell [Werth of Germany] is here,” he said with a grin.

 

World Cup Dressage Final newcomers Jessica von Bredow-Werndl and Unee BB of Germany finished third. Photo by Jennifer Bryant.

A new face ascended the medal podium in Las Vegas to claim third place: Germany’s Jessica von Bredow-Werndl on the 14-year-old Dutch stallion Unee BB (Gribaldi x Dageraad). Von Bredow-Werndl’s unusual freestyle began with the voice of Martin Luther King Jr. and his iconic “I have a dream” line. Later in the program, we heard the rider’s own voice as she uttered over the music, “I have a dream that all living creatures can respect each other.” Unee BB missed a two-tempi change and swapped leads as von Bredow-Werndl brought him back from an extended canter down the long side, but the freestyle was strong enough to earn a score of 80.464 percent.

For the US, Delight…and Crushing Disappointment

Our new young stars, Laura Graves and Verdades, gave a super performance in Las Vegas. This competition is “Diddy’s” very first indoor show – and it happens to be an incredibly close, loud, and electric venue. After an initial spook at the floodlit World Cup Dressage Final trophy in the corner near H, the 13-year-old Dutch gelding (Florett As x Goya) got a little backed off for a short time. He got afraid during a piaffe at A, and later he scooted forward during a canter half-pass when the crowd applauded. But these were honest rookie-horse reactions, and Diddy’s overall excellent quality and a sensitive and sympathetic ride from Graves resulted in a score of 79.125, which put them in fifth place…except that it didn’t.

 

The USA's Laura Graves and Verdades finished fourth. Photo by Jennifer Bryant.

In the official standings, Graves was fourth. The reason didn’t become clear right away, but the first sign of a problem was the buzzing in the audience when the fourth-placed scorers, Steffen Peters and Legolas 92, didn’t appear at the awards ceremony. They weren’t mentioned. Where were they?

Where they were, I’m sorry to report, was eliminated. As World Cup Finals press chief Marty Bauman announced at the press conference afterward, Peters was eliminated because evidence of blood was found on Legolas’s side after his freestyle. The FEI has a zero-tolerance rule regarding blood on horses – you may recall Adelinde Cornelissen and Parzival’s elimination during their Grand Prix test at the 2010 World Equestrian Games when the horse showed blood in his mouth from biting his tongue – and so the FEI stewards had no choice. According to Bauman, Peters “accepted their decision gracefully.”

I feel terrible for Peters, who is an outstanding horseman and whose training methods are beyond reproach. He doesn’t need for me to defend his reputation, but I’ll put in my $.02 anyway.

 

A strong performance by the USA's Steffen Peters and Legolas put them in fourth place, but the pair was eliminated after blood was found on the horse's side after their Grand Prix Freestyle. Photo by Jennifer Bryant.

The elimination is even sadder considering the fact that Peters had, in fact, placed fourth on a score of 80.286 percent. The notoriously spooky Legolas kept it together admirably in front of the exuberant crowd, although the 13-year-old Westfalen gelding (Laomedon x Florestan II) did lose it for a moment at the loud laughter that greeted the voice-over line at the beginning of the freestyle: “Hey, I’m Legolas. Let’s go!” His two-tempis were clean, although he missed a change in the ones; and a double pirouette directly into piaffe showed a high degree of difficulty. Peters got a standing ovation from the largely American crowd at the final halt and salute, which was punctuated by the voice-over words of “Legolas” saying, “Hey, let’s get out of here!”

The Vegas Experience

For Dujardin, Gal, von Bredow-Werndl, and Graves, this was their first trip to Sin City. All were in agreement that Las Vegas was living up to its glitzy image.

 

FEI World Cup Dressage Final title sponsor and haute couture fashion designer Reem Acra (center) poses with top-placed finishers Edward Gal, Charlotte Dujardin, Jessica von Bredow-Werndl, and Laura Graves. Photo by Jennifer Bryant.

“It’s everything I thought it would be,” said Dujardin. “Seeing how crazy the Strip is; going to shows in the evening. I’ve thoroughly enjoyed it.”

“It’s not real!” exclaimed von Bredow-Werndl. “I go through the casino [hotel] at six in the morning and they’re playing loud music; I come to the arena and the people are going crazy.”

“It is very surreal,” Graves agreed. “I left the hotel very early this morning, before six o’clock, to come ride, and there was still a party in the bar.”

Although the Vegas lights and boisterous fans may have bolstered the energy level at the World Cup Dressage Final, at least one attendee said the thrill was entirely the result of the rush from seeing the best dressage in the world.

Said US FEI 5* judge Lilo Fore, who was the head of the ground jury for today’s freestyle final: “No matter how many years you sit in those [judges’] boxes, the excitement of seeing those good horses and riders never goes away.”

On Fun Freestyle Day, Grease Is the Word

Danny (Jan Ebeling on Darling) woos Sandy (Charlotte Bredahl-Baker on Chanel) in their winning Grease-themed exhibition pas de deux. Photo by Jennifer Bryant.

The dark day of no competition at the 2015 Reem Acra FEI World Cup Dressage Final proved an opportunity for spectators as well as riders to cut loose and show the lighter side of our buttoned-down sport.

Just as many enthusiasts packed the Thomas & Mack Center for today’s Las Vegas Dressage Showcase as attended yesterday’s Grand Prix competition, which drew more than 7,300 spectators. But today was all about music, fun, and costumed exhibition rides – all by California-based riders and horses – plus a couple of milestone tributes.

The midday program kicked off with two “rising star” freestyles, ridden sans costumes: an Intermediate I Freestyle by Sabine Schut-Kery on Sanceo, and a Grand Prix Freestyle by Steffen Peters (who’s contesting the World Cup Final with Legolas 92) on the up-and-comer Rosamunde.

 

Sabine Schut-Kery rides Sanceo in an Intermediate I Freestyle. Photo by Jennifer Bryant.

The crowd was “looser” than at a traditional dressage competition, clapping and vocalizing freely during the rides. When Sanceo first entered the Thomas & Mack and spooked at a patch of unevenly dragged footing, the audience laughed; then when the stallion neighed, the crowd responded with a chorus of “awww.”

Light moments aside, Sanceo is a stunner, with tremendous scope and presence. His pirouettes and extensions drew cheers, and Schut-Kery was clearly thrilled with his performance.

 

OK, maybe she's a little too far underneath herself in front. But holy moly, can Rosamunde sit! Steffen Peters and his new wunderkind perform their Grand Prix Freestyle at the Las Vegas Dressage Showcase exhibition. Photo by Jennifer Bryant.

The other stunner is Rosamunde. It’s really hard to believe that this mare is only eight years old because her relaxation in the electric environment, coupled with her ease with the demands of the Grand Prix level, belie her age. She was so comfortable in the arena that I only saw her flinch once at some stimulus, and Peters was able to drop the reins and leave the arena on the buckle amidst the thunderous applause after his final halt and salute. Peters is not one to push a horse, and it’s obvious that Rosamunde has not been pushed. She’s extraordinary, and I expect great things from this pair in the future.

 

Not all dressage judging is this much fun! Linda Zang, Stephen Clarke, and Hans-Christian Matthiesen share a laugh with World Cup Finals announcer Bob Tallman (who's a well-known voice in the rodeo world). Photo by Jennifer Bryant.

With those more serious demonstrations concluded, it was time to turn the volume up – way up – for a three-way Dancing with the Stars-style pas de deux competition, complete with celebrity judges. FEI 5* judges Linda Zang of the US, Stephen Clarke of Great Britain, and Hans-Christian Matthiesen of Denmark made up the celebrity panel, awarding their scores via card after each ride.

 

Poison Ivy (Shannon Peters on Weltino's Magic) tries to put Batman (David Blake on Ikaros) under her evil spell. Photo by Jennifer Bryant.

Each pas de deux was themed, elaborately costumed, and expertly choreographed and edited. First up were Batman and Poison Ivy, aka David Blake on Ikaros and Shannon Peters on Weltino’s Magic. The horses – all of the horses today, actually – handled the atmosphere really well, in fact better than during the much quieter schooling session on Wednesday.

 

The Indian (Anna Dahlberg on Rico) meets the cowboy (Mette Rosencrantz on Marron). Photo by Jennifer Bryant.

Then we visited the “Wild Wild West” courtesy of cowboy Mette Rosencrantz on Marron and Indian chief Anna Dahlberg on Rico. The upbeat soundtrack included themes from The Lone Ranger, A Million Ways to Die in the West, and Bonanza. The excitable Marron did give a half-rear during the program, but I think the audience thought it was part of the act! The judges scored the program higher than the Batman performance – but as Clarke (who was obviously relishing his role as the Simon Cowell of the panel) quipped, “Mette has a gun, so I’m going up.”

It was the final pas de deux, however, that brought down the house, winning top marks both from the judges and from the audience applause meter. “Danny” (Jan Ebeling on Darling) pursued “Sandy” (Charlotte Bredahl-Baker on Chanel) to the well-loved songs from Grease. Judge Linda Zang commended the horses’ synchrony and also confessed an affection for the 1950s-style music, saying that “This was my era!”

 

Elvis (Guenter Seidel on Zamorin) is a hunka-hunka burnin' love accompanied by showgirls (from left) Michelle Reilly on Umeeko, Sarah Christy on Xirope, and Elizabeth Ball on Orion. Photo by Jennifer Bryant.

The final musical showcase of the exhibition was a “Viva Las Vegas” quadrille. Elvis (Guenter Seidel on Zamorin) was most definitely in the building, accompanied by the scantily clad showgirls Michelle Reilly on Umeeko, Sarah Christy on Xirope, and Elizabeth Ball on Orion. The quadrille wasn’t part of the celebrity judging, but it was the perfect extravaganza to conclude the exhibitions.

Tributes and Touching Moments

Two short, related ceremonies punctuated the otherwise-exuberant Las Vegas Dressage Showcase with a serious note. The first honored the contributions of E. Parry Thomas – yes, of the Thomas & Mack Center – to both Las Vegas and dressage. Thomas, now 94, was a banker who was instrumental in developing Las Vegas as a city and a resort destination. And thanks to the equestrian interests of his wife, Peggy, and daughter Jane, Thomas became a strong supporter of the sport. He and Peggy developed their River Grove Farm in Hailey, ID, where husband-and-wife team Bob and Debbie McDonald became the trainers. The Thomases went on to sponsor Debbie McDonald through their purchases of many top horses, including the legendary Brentina, McDonald’s 2004 and 2008 Olympic mount.

 

Rider Adrienne Lyle (right) helps to lead Wizard from the arena after his retirement ceremony. Photo by Jennifer Bryant.

A former working student of Debbie McDonald’s also benefited from the Thomases’ patronage. Adrienne Lyle was given the ride on their Wizard, whose career culminated in performances at the 2012 Olympics and the 2014 World Equestrian Games. The 16-year-old Oldenburg gelding (Weltmeyer x Classiker) appeared in public one last time in full show regalia (quite amped up in the T&M Center) before Lyle dismounted and the great horse was unsaddled, draped with a cooler, and led from the arena.

The tributes were a reminder that without supporters like Thomas and horses like Wizard, who give so much of themselves, dressage would be a pale shadow of the robust and thriving sport we have today. It was fitting that the ceremonies were bookended by the lighthearted and uplifting exhibition rides that, like our horses themselves, brought joy to so many.