Freestyle Motion Passes, but Don't Expect Immediate Change

The USDF Board of Governors today approved the motion directing the USDF to recommend that US Equestrian, the national governing body of equestrian sport in the US and the rule-maker for US dressage national-level competition, rescind the rule change that increased the prerequisite qualifying score to compete in freestyle from 60 percent to 63 percent, earned at the highest test of the level.

The Board of Governors assembly wrapped up this morning at the 2018 Adequan/USDF Annual Convention in Salt Lake City.

Passed as what US Equestrian refers to as an extraordinary rule change--meaning at a time other than during the usual December-January USDF/US Equestrian convention and rule-change-approval time frame--the score-prerequisite rule (DR 129.9) takes effect today, December 1, 2018.

Even with the motion passed, USDF president George Williams emphasized after reading the results of the vote, dressage competitors should not expect change to be immediate, or in fact expect that the rule will actually be rescinded.

The ultimate decision, Williams said, is in the hands of US Equestrian's dressage-rule-making body, the USEF Dressage Sport Committee (DSC). The USDF's recommendation must go through the channels and be discussed at a future DSC meeting, and any actions would then require approval per US Equestrian's own procedures. The bottom line, Williams said, is that the score increase indeed has taken effect and will be the rule for some time to come. And the DSC could well vote to uphold the freestyle rule as it stands now.

Although some of the BOG delegates who spoke out in favor of rescinding the rule will undoubtedly be disappointed if that does not come to pass, many expressed a measure of satisfaction just knowing that the motion may "send a message" to US Equestrian, as some put it.

"I think it's important to us to send a message [to US Equestrian] that this is inappropriate," said delegate Barbara Cadwell, referring to the fact that the mid-year "extraordinary" nature of the rule change meant that it failed to register on some dressage enthusiasts' radar until after the rule change was passed. "I don't object if it's done right. I want to publicly smack their hand."

Many delegates who spoke out, both for and against the motion, said that they actually support the score increase as a way to help ensure that horses being shown in freestyle classes have the basics and the training to be able to execute their routines capably and without struggling or confusion. Higher standards, many said, help to protect equine welfare and guard against unintentionally abusive riding. I came away from the BOG vote with the sense that many delegates viewed a "yes" vote on the motion as a rebuke, not of the standards but of US Equestrian's decision to fast-track the rule change with what USDF delegates perceived as inadequate transparency or requests for comment prior to the rule's passage.

From the Sublime to the Serious

USDF members enjoy the welcome reception at the 2018 Adequan/USDF Annual Convention in Salt Lake City. Photo by Jennifer Bryant.

The first day of regional meetings, open committee meetings and forums, and education sessions at the 2018 Adequan/US Dressage Federation Annual Convention dawned in the usual way.

Everywhere you look in the convention host hotel in Salt Lake City, you see tight clusters of dressage colleagues or old friends (often one and the same) holding impromptu meetings and catch-up sessions, in the hotel lobby, in every available group of chairs, in hallways outside meeting rooms, in the restaurant and the on-site Starbucks.

Jet-lagged USDF members, coffees in hand, start the day at their respective regional meetings. Then convention attendees fan out to the various other meetings, and from there things typically begin to get interesting.

GMO baskets await their lucky winners. Photo by Jennifer Bryant.

Today's most "interesting" topics were the impending US Equestrian rule change raising the prerequisite score to ride a dressage freestyle from 60 percent to 63 percent; and the also-impending mandate that US Equestrian adult members with Competing memberships must complete SafeSport training in order to be eligible to participate in US Equestrian activities.

The freestyle rule change (DR 129.9) was approved by US Equestrian in August and takes effect December 1, 2018. The SafeSport mandate originated with the US Olympic Committee and extends to all of the USOC's affiliated sport organizations, known as national governing bodies (NGB). US Equestrian is the US NGB for equestrian sport. The federal government since also enacted legislation requiring amateur sport organizations and their members to report sex-abuse allegations involving minors to local or federal law enforcement. Current US Equestrian members must complete SafeSport training by January 1, 2019.

Some USEF/USDF members object to the freestyle-score hike, either in principle (they fear it will deter participation in dressage) or in practice (they feel the extraordinary rule change was passed in haste and that competitors were given insufficient advance notice). Nobody actually objects to SafeSport training in concept (there is some griping about the amount of time it takes), but some people at the USEF/USDF Open Forum wished this hadn't been dropped on the equestrian community quite so suddenly.

The SafeSport training issue is pretty cut-and-dried. It's coming down from above in response to the horrific allegations from athletes (most notoriously gymnasts, but also equestrians) that exposed the ugly underbelly that has been present in some sports for many years. Ranked by numbers of active investigations of misconduct allegations, equestrian sport as a whole is #4 on the USOC's list of its 50 affiliates. So yeah, our sport needs to clean up its collective act, stat.

As for the freestyle controversy, it was pointed out that similar outcries occurred the last time the minimum qualifying score was raised, from 58 percent to the current 60. The result? People learned to ride better. Since horse welfare and a desire to reinforce the importance of correct training were behind the decision to raise the bar again, said FEI 5* dressage judge Gary Rockwell, the respective USDF committees behind the rule-change proposal, the USDF Executive Board, and the US Equestrian Dressage Sport Committee stand behind the decision as in the best interests of the horse and the sport.

Trauma surgeon Dr. Chris Winter presented some sobering statistics about rider injuries at his education session. Photo by Jennifer Bryant.

Thursday in Salt Lake City wrapped up with a considerably more sober presentation. Trauma surgeon Dr. Chris Winter gave the 2018 USDF convention's first education session, on handling emergency rider situations. The takeaway is that, unfortunately, riding and working around horses is very dangerous--more so than riding a motorcycle--and even skilled riders can get hurt. Be as safety-conscious as possible when you interact with your horse, and always wear a helmet--not just any helmet, but one that's carefully fitted to offer maximum protection. Learn the signs of traumatic brain injury (concussion is a mild form of TBI), and be sure that anyone who exhibits any symptoms of possible TBI or other injury gets checked out by medical professionals.

The radiographs and MRI images of rider injuries and their surgical aftermaths that Dr. Winter showed elicited more than a few gasps from the convention audience. As someone who's been injured and had to work through fear in getting back in the saddle, I'll admit the presentation made me uneasy and stirred up some old emotions. But as Dr. Winter said, equestrians need to understand the risks associated with our sport. We either find a way to accept the risk and take steps to minimize it, or we quit riding. We can't pretend the risk doesn't exist. So yes, I'm eager to get home to my horse--but my helmet will be strapped on securely.

A Perfect Storm

WEG dressage freestyle cancelled

 

A too-brief shining moment: Team USA's Kasey Perry-Glass, Laura Graves, Steffen Peters, and Adrienne Lyle take a lap of honor after winning the silver medal in the 2018 WEG dressage competition. Photo by Jennifer Bryant.

It’s a desperately sad break for FEI World Equestrian Games Tryon 2018 dressage spectators, Tryon WEG organizers, all of the participating nations, and the horses, riders, and supporters who worked so hard to get here: The WEG Grand Prix Freestyle, which was scheduled for tomorrow, has been canceled. It will not be rescheduled.

In an extreme stroke of bad luck, the worst of Tropical Storm Florence is scheduled to arrive tonight in the area of the Tryon International Equestrian Center, and Florence is expected to hang around tomorrow, bringing rain and high winds to western North Carolina. Speculation about the fate of the dressage freestyle has been running rampant for days. As of yesterday we were hopeful that the competition could be rescheduled for Monday, which is supposed to be the “dark day” of no competition between the two weeks of the WEG. But the dressage horses are supposed to fly out Monday, and this afternoon the International Equestrian Federation (FEI) confirmed that the freestyle is not to be. 

Here is the text of the FEI’s statement announcing the cancellation:

Following yesterday’s announcement of the intention to hold the Helgstrand Dressage Freestyle competition on Monday morning due to extreme rainfall forecast for Sunday’s original time slot of 8.30am, further discussions have been taking place to review the options available to reschedule.

Despite the best efforts of the whole Tryon 2018 team and the Officials, who have been working on plans for rescheduling since yesterday evening, including meetings with the Chefs de Mission and Chefs d’Equipe, the logistics of putting all necessary elements into place in time have proved insurmountable. As a result, and very regrettably, the Dressage Freestyle will now be cancelled.

“This was not an easy decision, but we have explored every option, including trying to reschedule the horse departures, and even looking at moving the competition into the indoor with a change of footing, but the logistics of making all this happen are just not possible,” Tryon 2018 Organising Committee President Michael Stone said.

“We know this is desperately disappointing for the 15 athletes who had qualified their horses for the Freestyle, and of course for all the spectators who had bought tickets, but the weather has simply left us with no choice. Horse welfare has to be the top priority and flying the horses out on the same day as competition doesn’t work, so sadly the decision to cancel the Freestyle had to be taken.”

“Although we are devastated that this decision has had to be taken, we’ve had two absolutely world-class competitions here at Tryon, including yesterday’s Grand Prix Special, and to see Germany’s Isabell Werth and Bella Rose taking double gold and Team USA claiming silver was a real treat for Dressage fans.”

The decision does not affect the Olympic qualification process, as this was completed on Thursday. The teams that have earned their ticket to Tokyo 2020 are Germany, USA, Great Britain, Sweden, Netherlands and Spain.

Long Live the Queen

Charlotte Dujardin and Valegro on their way to their second consecutive Reem Acra FEI World Cup Dressage Final title. Photo by Jennifer Bryant.

Her new logo – just released within the past couple of weeks – incorporates an image of a crown, so it’s only fitting that Charlotte Dujardin, the Queen of Everything, retains her title.

With the almost too-good-to-be-real Valegro, the British woman is now the back-to-back Reem Acra FEI World Cup Dressage Final champion as well as the reigning Olympic, European, and World Equestrian Games champion. With the same How to Train Your Dragon freestyle that won gold in Normandy last August, Dujardin squashed the competition with a score of 94.196 percent in today’s Grand Prix Freestyle, coming just tenths of a point short of the world-record score of 94.300 percent she and “Blueberry” set at Olympia in London last December. The nearly foot-perfect freestyle brought the crowd of nearly 11,000 in the Thomas & Mack Center to its feet for a thunderous ovation.

“Valegro just loves it,” Dujardin said afterward when asked how she keeps the 13-year-old Dutch gelding (Negro x Gerschwin) going. “It’s not like I have to force him, because he loves the work.”

Dujardin frequently comments on how lucky she is to have the ride on this reliable horse. “I just sit and steer him ’round. There’s no sweat involved,” she quipped.

 

Edward Gal and Glock's Undercover N.O.P. of the Netherlands passage to second place in the World Cup Dressage Final freestyle. Photo by Jennifer Bryant.

Nearly 10 percentage points behind the untouchable Dujardin was second-placed Edward Gal of the Netherlands, who piloted the 14-year-old Dutch gelding Glock’s Undercover N.O.P. (Ferro x Donnerhall) to a score of 84.696 percent. Undercover was more relaxed than he’d been in Thursday’s Grand Prix, with a longer neck and a nose in front of the vertical. He could have stretched out more in the extended trots, and the walk rhythm varied a bit at times on account of tension. His pirouettes drew audience applause. It was a solid program to mildly interesting but not compelling orchestral instrumentals; bottom line, it wasn’t Dujardin’s freestyle.

Gal showed a quick wit and good humor when he was asked how it felt to be the oldest rider at the press conference for the top four finishers. “Normally I’m not the oldest one because Isabell [Werth of Germany] is here,” he said with a grin.

 

World Cup Dressage Final newcomers Jessica von Bredow-Werndl and Unee BB of Germany finished third. Photo by Jennifer Bryant.

A new face ascended the medal podium in Las Vegas to claim third place: Germany’s Jessica von Bredow-Werndl on the 14-year-old Dutch stallion Unee BB (Gribaldi x Dageraad). Von Bredow-Werndl’s unusual freestyle began with the voice of Martin Luther King Jr. and his iconic “I have a dream” line. Later in the program, we heard the rider’s own voice as she uttered over the music, “I have a dream that all living creatures can respect each other.” Unee BB missed a two-tempi change and swapped leads as von Bredow-Werndl brought him back from an extended canter down the long side, but the freestyle was strong enough to earn a score of 80.464 percent.

For the US, Delight…and Crushing Disappointment

Our new young stars, Laura Graves and Verdades, gave a super performance in Las Vegas. This competition is “Diddy’s” very first indoor show – and it happens to be an incredibly close, loud, and electric venue. After an initial spook at the floodlit World Cup Dressage Final trophy in the corner near H, the 13-year-old Dutch gelding (Florett As x Goya) got a little backed off for a short time. He got afraid during a piaffe at A, and later he scooted forward during a canter half-pass when the crowd applauded. But these were honest rookie-horse reactions, and Diddy’s overall excellent quality and a sensitive and sympathetic ride from Graves resulted in a score of 79.125, which put them in fifth place…except that it didn’t.

 

The USA's Laura Graves and Verdades finished fourth. Photo by Jennifer Bryant.

In the official standings, Graves was fourth. The reason didn’t become clear right away, but the first sign of a problem was the buzzing in the audience when the fourth-placed scorers, Steffen Peters and Legolas 92, didn’t appear at the awards ceremony. They weren’t mentioned. Where were they?

Where they were, I’m sorry to report, was eliminated. As World Cup Finals press chief Marty Bauman announced at the press conference afterward, Peters was eliminated because evidence of blood was found on Legolas’s side after his freestyle. The FEI has a zero-tolerance rule regarding blood on horses – you may recall Adelinde Cornelissen and Parzival’s elimination during their Grand Prix test at the 2010 World Equestrian Games when the horse showed blood in his mouth from biting his tongue – and so the FEI stewards had no choice. According to Bauman, Peters “accepted their decision gracefully.”

I feel terrible for Peters, who is an outstanding horseman and whose training methods are beyond reproach. He doesn’t need for me to defend his reputation, but I’ll put in my $.02 anyway.

 

A strong performance by the USA's Steffen Peters and Legolas put them in fourth place, but the pair was eliminated after blood was found on the horse's side after their Grand Prix Freestyle. Photo by Jennifer Bryant.

The elimination is even sadder considering the fact that Peters had, in fact, placed fourth on a score of 80.286 percent. The notoriously spooky Legolas kept it together admirably in front of the exuberant crowd, although the 13-year-old Westfalen gelding (Laomedon x Florestan II) did lose it for a moment at the loud laughter that greeted the voice-over line at the beginning of the freestyle: “Hey, I’m Legolas. Let’s go!” His two-tempis were clean, although he missed a change in the ones; and a double pirouette directly into piaffe showed a high degree of difficulty. Peters got a standing ovation from the largely American crowd at the final halt and salute, which was punctuated by the voice-over words of “Legolas” saying, “Hey, let’s get out of here!”

The Vegas Experience

For Dujardin, Gal, von Bredow-Werndl, and Graves, this was their first trip to Sin City. All were in agreement that Las Vegas was living up to its glitzy image.

 

FEI World Cup Dressage Final title sponsor and haute couture fashion designer Reem Acra (center) poses with top-placed finishers Edward Gal, Charlotte Dujardin, Jessica von Bredow-Werndl, and Laura Graves. Photo by Jennifer Bryant.

“It’s everything I thought it would be,” said Dujardin. “Seeing how crazy the Strip is; going to shows in the evening. I’ve thoroughly enjoyed it.”

“It’s not real!” exclaimed von Bredow-Werndl. “I go through the casino [hotel] at six in the morning and they’re playing loud music; I come to the arena and the people are going crazy.”

“It is very surreal,” Graves agreed. “I left the hotel very early this morning, before six o’clock, to come ride, and there was still a party in the bar.”

Although the Vegas lights and boisterous fans may have bolstered the energy level at the World Cup Dressage Final, at least one attendee said the thrill was entirely the result of the rush from seeing the best dressage in the world.

Said US FEI 5* judge Lilo Fore, who was the head of the ground jury for today’s freestyle final: “No matter how many years you sit in those [judges’] boxes, the excitement of seeing those good horses and riders never goes away.”

First-Ever Open Rehearsal Gives Audiences a Sneak Peek at World Cup Freestyle Finale

Under the watchful eyes of her coach, Debbie McDonald, and US dressage chef d'equipe Robert Dover, Laura Graves rehearses her freestyle aboard Verdades. Photo by Jennifer Bryant.

Somebody at the International Equestrian Federation (FEI), which governs the Reem Acra FEI World Cup Dressage Final, figured out that enthusiasts will pay to watch riders rehearse their freestyles. In an early-morning VIP-ticketholder-only event, a hundred or so diehards clutched their coffees and watched the world's best riders (sometimes with horses, sometimes without) do their sound checks and run through some choreography in final preparations for tomorrow's Grand Prix Freestyle.

By virtue of earning scores over the 58-percent mark in yesterday's Grand Prix, all 18 competitors here in Las Vegas punched their freestyle tickets. The freestyle results alone will decide the 2015 World Cup Dressage Final champion. So everything's riding on the music, if you'll pardon the expression.

Some riders, including Britain's Charlotte Dujardin (who won yesterday's Grand Prix with Valegro), Dutchman Edward Gal (second with Glock's Undercover), and Germany's Isabell Werth (eighth with El Santo NRW), opted not to ride. They walked in, listened to their music being played over the Thomas & Mack Center's sound system, made any necessary comments to the audio coordinator, and left when satisfied.

Sweden's Malin Hamilton brought not her horse but her daughter to the sound check. Photo by Jennifer Bryant.

Others, including third-placed Steffen Peters (Legolas 92) and Laura Graves (fifth with Verdades), rode partial or complete run-throughs. Peters rode pieces of his well-known "Under Pressure" freestyle, first in a warm-up outline; later, after having his music volume turned up, he put Legolas together and did a few lines of tempi changes on the diagonal and piaffe-passage transitions. Graves rode her entire freestyle after halting near H -- near the shiny World Cup Final trophy that scared him yesterday -- and feeding Diddy a sugar cube. The horse got a little backed off in the final piaffe-passage tour down center line, so that got repeated.

So what can I tell you about the freestyles? For starters, Malin Hamilton (pictured above) appropriately chose a Fleetwood Mac medley for her horse, Fleetwood. And if you didn't see it in Florida this winter, you're going to love Mikala Munter Gundersen's ride with My Lady to "All That Jazz," "Big Spender," and music from the movie Burlesque. The big, brassy tunes suit the big, brassy mare and her tempos very well.

The London Philharmonic shows up in a few routines, as does the artist Two Steps from Hell (I know this only because I was Shazam-ing the heck out of the soundtracks in an effort to learn the more obscure song titles). Agnete Kirk Thinggaard of Denmark would like for you to "Call Me Maybe." Russian Inessa Merkulova's soundtrack for Mister X is too cut-and-paste, with unrelated songs, for this music teacher's daughter's taste; but I loved him with the Bossa Nova -- very Mad Men. And Isabell Werth's music is fun -- David Bowie and Queen among the artists.

It's sure to be exciting. See you tomorrow for the big finale!

On Fun Freestyle Day, Grease Is the Word

Danny (Jan Ebeling on Darling) woos Sandy (Charlotte Bredahl-Baker on Chanel) in their winning Grease-themed exhibition pas de deux. Photo by Jennifer Bryant.

The dark day of no competition at the 2015 Reem Acra FEI World Cup Dressage Final proved an opportunity for spectators as well as riders to cut loose and show the lighter side of our buttoned-down sport.

Just as many enthusiasts packed the Thomas & Mack Center for today’s Las Vegas Dressage Showcase as attended yesterday’s Grand Prix competition, which drew more than 7,300 spectators. But today was all about music, fun, and costumed exhibition rides – all by California-based riders and horses – plus a couple of milestone tributes.

The midday program kicked off with two “rising star” freestyles, ridden sans costumes: an Intermediate I Freestyle by Sabine Schut-Kery on Sanceo, and a Grand Prix Freestyle by Steffen Peters (who’s contesting the World Cup Final with Legolas 92) on the up-and-comer Rosamunde.

 

Sabine Schut-Kery rides Sanceo in an Intermediate I Freestyle. Photo by Jennifer Bryant.

The crowd was “looser” than at a traditional dressage competition, clapping and vocalizing freely during the rides. When Sanceo first entered the Thomas & Mack and spooked at a patch of unevenly dragged footing, the audience laughed; then when the stallion neighed, the crowd responded with a chorus of “awww.”

Light moments aside, Sanceo is a stunner, with tremendous scope and presence. His pirouettes and extensions drew cheers, and Schut-Kery was clearly thrilled with his performance.

 

OK, maybe she's a little too far underneath herself in front. But holy moly, can Rosamunde sit! Steffen Peters and his new wunderkind perform their Grand Prix Freestyle at the Las Vegas Dressage Showcase exhibition. Photo by Jennifer Bryant.

The other stunner is Rosamunde. It’s really hard to believe that this mare is only eight years old because her relaxation in the electric environment, coupled with her ease with the demands of the Grand Prix level, belie her age. She was so comfortable in the arena that I only saw her flinch once at some stimulus, and Peters was able to drop the reins and leave the arena on the buckle amidst the thunderous applause after his final halt and salute. Peters is not one to push a horse, and it’s obvious that Rosamunde has not been pushed. She’s extraordinary, and I expect great things from this pair in the future.

 

Not all dressage judging is this much fun! Linda Zang, Stephen Clarke, and Hans-Christian Matthiesen share a laugh with World Cup Finals announcer Bob Tallman (who's a well-known voice in the rodeo world). Photo by Jennifer Bryant.

With those more serious demonstrations concluded, it was time to turn the volume up – way up – for a three-way Dancing with the Stars-style pas de deux competition, complete with celebrity judges. FEI 5* judges Linda Zang of the US, Stephen Clarke of Great Britain, and Hans-Christian Matthiesen of Denmark made up the celebrity panel, awarding their scores via card after each ride.

 

Poison Ivy (Shannon Peters on Weltino's Magic) tries to put Batman (David Blake on Ikaros) under her evil spell. Photo by Jennifer Bryant.

Each pas de deux was themed, elaborately costumed, and expertly choreographed and edited. First up were Batman and Poison Ivy, aka David Blake on Ikaros and Shannon Peters on Weltino’s Magic. The horses – all of the horses today, actually – handled the atmosphere really well, in fact better than during the much quieter schooling session on Wednesday.

 

The Indian (Anna Dahlberg on Rico) meets the cowboy (Mette Rosencrantz on Marron). Photo by Jennifer Bryant.

Then we visited the “Wild Wild West” courtesy of cowboy Mette Rosencrantz on Marron and Indian chief Anna Dahlberg on Rico. The upbeat soundtrack included themes from The Lone Ranger, A Million Ways to Die in the West, and Bonanza. The excitable Marron did give a half-rear during the program, but I think the audience thought it was part of the act! The judges scored the program higher than the Batman performance – but as Clarke (who was obviously relishing his role as the Simon Cowell of the panel) quipped, “Mette has a gun, so I’m going up.”

It was the final pas de deux, however, that brought down the house, winning top marks both from the judges and from the audience applause meter. “Danny” (Jan Ebeling on Darling) pursued “Sandy” (Charlotte Bredahl-Baker on Chanel) to the well-loved songs from Grease. Judge Linda Zang commended the horses’ synchrony and also confessed an affection for the 1950s-style music, saying that “This was my era!”

 

Elvis (Guenter Seidel on Zamorin) is a hunka-hunka burnin' love accompanied by showgirls (from left) Michelle Reilly on Umeeko, Sarah Christy on Xirope, and Elizabeth Ball on Orion. Photo by Jennifer Bryant.

The final musical showcase of the exhibition was a “Viva Las Vegas” quadrille. Elvis (Guenter Seidel on Zamorin) was most definitely in the building, accompanied by the scantily clad showgirls Michelle Reilly on Umeeko, Sarah Christy on Xirope, and Elizabeth Ball on Orion. The quadrille wasn’t part of the celebrity judging, but it was the perfect extravaganza to conclude the exhibitions.

Tributes and Touching Moments

Two short, related ceremonies punctuated the otherwise-exuberant Las Vegas Dressage Showcase with a serious note. The first honored the contributions of E. Parry Thomas – yes, of the Thomas & Mack Center – to both Las Vegas and dressage. Thomas, now 94, was a banker who was instrumental in developing Las Vegas as a city and a resort destination. And thanks to the equestrian interests of his wife, Peggy, and daughter Jane, Thomas became a strong supporter of the sport. He and Peggy developed their River Grove Farm in Hailey, ID, where husband-and-wife team Bob and Debbie McDonald became the trainers. The Thomases went on to sponsor Debbie McDonald through their purchases of many top horses, including the legendary Brentina, McDonald’s 2004 and 2008 Olympic mount.

 

Rider Adrienne Lyle (right) helps to lead Wizard from the arena after his retirement ceremony. Photo by Jennifer Bryant.

A former working student of Debbie McDonald’s also benefited from the Thomases’ patronage. Adrienne Lyle was given the ride on their Wizard, whose career culminated in performances at the 2012 Olympics and the 2014 World Equestrian Games. The 16-year-old Oldenburg gelding (Weltmeyer x Classiker) appeared in public one last time in full show regalia (quite amped up in the T&M Center) before Lyle dismounted and the great horse was unsaddled, draped with a cooler, and led from the arena.

The tributes were a reminder that without supporters like Thomas and horses like Wizard, who give so much of themselves, dressage would be a pale shadow of the robust and thriving sport we have today. It was fitting that the ceremonies were bookended by the lighthearted and uplifting exhibition rides that, like our horses themselves, brought joy to so many.

It's Valegro First, the Rest...Trailing

On their way: Great Britain's Charlotte Dujardin and Valegro, the reigning World Cup Dressage Final champions, half-pass to Grand Prix victory with 85.414%. Photo by Jennifer Bryant.

Nobody here at the 2015 Reem Acra FEI World Cup Dressage Final can touch the golden pair of Charlotte Dujardin and Valegro. Not yet, anyway.

The 2014 World Cup Final champions, 2014 World Equestrian Games champions, and 2012 Olympic champions remained firmly fixed in the dressage-scoring stratosphere today, in the World Cup Final Grand Prix. One of a precious few horse-rider combinations in the world to crack the 80-percent scoring ceiling, the British superstars did so again today, topping the field of 18 with a final overall score of 85.414 percent.

All seven judges (yes, seven  --there were judges at K and F in addition to the customary C, E, H, M, and B) placed Valegro first. Today's judging panel consisted of Francis Verbeek-von Rooy at C, Hans-Christian Matthiessen (who replaced Isabelle Judet) at K, Stephen Clarke at E, Annette Fransen Iacobaeus at H, Maria Schwennesen at M, Peter Holler at B, and the USA's own Lilo Fore at F.

Dujardin clinched victory easily, even with a couple of minor bobbles, including a small loss of balance stepping into a piaffe on the center line. We've come to expect perfection from Valegro, and even when he's not breaking his own world record, he still comes pretty damned close. The 13-year-old Dutch Warmblood gelding (Negro x Gerschwin) is a cadence machine. His tempos never waver -- most notably in the difficult piaffe-passage tours that ruthlessly expose any loss of balance. He has three fantastic gaits with no obvious weak link, and – in another comparison that leaves some other horses coming up short – he is equally supple and strong on both sides and in both hind legs. He pushes and carries equally with both hind legs.

The Netherlands' Edward Gal and Glock's Undercover N.O.P. piaffe to second place with a score of 79.057%. Photo by Jennifer Bryant.

Second behind Dujardin was Edward Gal of the Netherlands on Glock’s Undercover N.O.P. The 14-year-old Dutch Warmblood gelding (Ferro x Donnerhall) earned an average score of 79.057 percent.

Gal’s test was not without mistakes. He picked up counter-canter instead of passage at M. There was a slightly overeager canter transition at E. And Gal had to delay the start of the one-tempis for a couple of strides because the horse wasn’t quite balanced, which made for a less-polished execution. Undercover—black and beautiful like a certain other famous former mount of Gal’s, but not quite in the league of the legendary Totilas—had tension creep into moments of the test, and he gets short and tight in the neck when it happens. But he’s lovely and talented, and his good basics evidently overcame the bobbles in the judges’ minds today, as all had him in second place (except for Fore, who placed Undercover fifth).

Speaking of tension, the 13-year-old Westfalen gelding Legolas (Laomedon x Florestan II) is known for being spooky, and the USA’s Steffen Peters has been expressing concerns about the horse’s ability to handle the electric indoor atmosphere at the Thomas & Mack Center since last year’s World Equestrian Games. Well, Peters has been prepping Legolas extensively to desensitize him to the lights, crowds, and noises, and all his hard work paid off today. Legolas was more relaxed than at the WEG, with clean tempi changes (a previous bugaboo) and a piaffe-passage tour in a better balance. The changes could have used more expression, and Legolas backed off the extended canter a tad early headed toward K (a corner that a number of horses weren’t thrilled about), and the second canter pirouette came around a bit too quickly. But otherwise it was a lovely test, and Peters exulted and pumped his fist in the air when it was over. His score of 76.843 percent put him in third place.

 

Steffen Peters' face says it all after a strong performance for third place aboard Legolas. Photo by Jennifer Bryant.

Afterward, Peters admitted that the strong showing “was probably a big surprise to me, too,” referring to the fact that Legolas’s performances in Florida this winter were sometimes marred by reactivity to the crowds. “We knew, if were going to qualify for Vegas, we needed to change things drastically. A week ago, we were invited to a farm three hours north of us. A hundred people showed up, a lot of noise, a lot of atmosphere. We recorded a sound file of the very end of a freestyle with the crowd cheering while the music was still playing.”

Peters edited the short clip to make it five minutes long, and he “played it over and over again in this new sound system we installed in this covered arena. I played it at 5:30 in the morning and when it was dark, and it paid off.” He said he was thrilled with how well Legolas handled the atmosphere: “Today I was probably even more excited than Charlotte and Edward.”

Finishing fourth was an exciting new pair from Germany: Jessica von Bredow-Werndl on the 14-year-old Dutch Warmblood stallion Unee BB (Gribaldi x Dageraad). Unee BB is dark bay, gorgeous, and with that enviable combination of scope and suppleness. He had one mistake in the two-tempis, and he broke to trot at the beginning of his second extended canter because nature called. But his final score of 74.843 percent clearly thrilled his rider.

 

Laura Graves and Verdades in an expressive half-pass. Photo by Jennifer Bryant.

The score also just edged out the other US combination, Laura Graves and her 13-year-old Dutch Warmblood gelding Verdades (Florett AS x Goya). You probably know that this green-at-Grand-Prix pair burst onto the international scene at the 2014 WEG with a fifth-place freestyle finish, and the US press in particular has been buzzing about them ever since. I think Laura and “Diddy” got more attention than Captain America, Steffen Peters, before this World Cup Final, even though our captain is the competitive veteran and a past World Cup champion.

Las Vegas is Diddy’s first indoor competition, and it showed a little bit today with some moments of tension—a startle near H, a backed-off moment in the first piaffe, and a bobble at the end of the two-tempis. Diddy got a bit tight in the neck at times, and he wasn’t quite the elastic fantastic we saw in Normandy last August or at the Florida shows this winter. But let’s put it into perspective: This combination, still new to the international scene, placed fifth in a class at the World Cup Dressage Final, outranking such celebrated veterans as Germany’s Isabell Werth (eighth on El Santo NRW, 72.843 percent). Pretty good in my book.

 

But of course Elvis is in the building! Would you expect anything less in Vegas? Photo by Jennifer Bryant.

A Day of Rest (for the Horses, Anyway)

At a World Cup Dressage Final, all competitors who earn a score of 58 percent or better in the Grand Prix go on to the GP Freestyle. The lowest score today was 66.971 (Tatiana Dorofeeva of Russia on Kartsevo Upperville), so everybody will get to contest the Freestyle on Saturday, April 18. Tomorrow, dressage fans will be able to enjoy a diversion in the form of the Las Vegas Dressage Showcase, with exhibition performances that promise plenty of Vegas-style razzle-dazzle. Stay tuned for all the fun; plus I have yet to make it to that shoppers’ paradise known as the World Cup Finals Gift Show. Who needs gambling when you have an equestrian trade show to entice you to part with your money?

World Cup Dressage Schooling Session Draws Appreciative Audience

Charlotte Dujardin rides Valegro in the dressage World Cup Final schooling session. Photo by Jennifer Bryant.

Yes, you can sell tickets to watch dressage riders schooling.

It wasn't anywhere near a sellout crowd at the Thomas & Mack Center, but a couple thousand dressage enthusiasts (who evidently had already filed their tax returns on this April 15) kicked off their trips to Las Vegas with a chance to watch the world's best riders and horses familiarize themselves with the arena in preparation for the 2015 Reem Acra FEI World Cup Dressage Final competition.

Here's how it worked: Pairs of horse/rider combinations were assigned 15-minute time blocks of time in the main arena. If a pair chose to school in the ring together, both got the full 15 minutes. If they opted to school separately, each was allotted just 7.5 minutes. There were no judges, although the arena decorations were set up.

Laura Graves schools Verdades. Photo by Jennifer Bryant.

Most of the combinations had clearly already warmed up in the designated warm-up ring prior to entering the main arena: They walked in, did a couple of trot circles, then put their horses through their paces. Most rode bits of test movements -- center line and halt, diagonals with extensions (not full bore, though) or tempi changes, pirouettes, short piaffe-passage tours. One whose horse spent more time in warm-up mode was the USA's Steffen Peters, the 2009 World Cup Final champion aboard Ravel, who rode his 2015 mount, Legolas 92, in rising trot for a couple of minutes at the beginning of his session. Peters moved to an easy canter on longish reins before bringing Legolas into full Grand Prix mode and running through a few movements. Legolas appeared to be giving something near H the hairy eyeball a couple of times, and he flubbed a two-tempi change, but otherwise he was obedient and looked relaxed in the indoor environment.

Laura Graves gets a high-five from Steffen Peters after her session. Photo by Jennifer Bryant.

The other US contender, Laura Graves and her Verdades, had an air of quiet confidence. Like many of the riders, Graves wore a headset and wireless transmitter so that she could receive coaching from her instructor (in Graves' case, Olympian Debbie McDonald) during the few precious minutes in the arena.

Edward Gal's mount Glock's Undercover looked notably more relaxed than the black KWPN gelding (by Ferro) did at last year's World Equestrian Games. Undercover is not as extravagant a mover as Gal's most famous mount, his 2010 WEG gold-medal-winning partner Totilas, but he's a lovely horse and he may well wind up placing highly. And Gal is a crowd favorite, for sure, drawing perhaps even more applause than the reigning Olympic, WEG, and World Cup Dressage Final champion, Britain's Charlotte Dujardin on Valegro.

Edward Gal and Glock's Undercover of the Netherlands. Photo by Jennifer Bryant.

It's a rare treat to see any of these superstars in person at a competition. Even rarer is the chance to see them in schooling attire, horses unbraided (most of them), "just riding," even though a schooling session that charges admission isn't really just riding. And how many times do we get to see Dujardin riding in the ring along with the German legend Isabell Werth aboard El Santo?

With such a compressed time frame, the educational value of watching the schooling sessions was diminished; ideally I'm sure the spectators would have loved to watch an entire training session, from warm-up to cool-down. But it gave us a chance to compare the horses in an expedient way, to marvel at how well most of them handled the busy indoor atmosphere, and to get pumped up for tomorrow's Grand Prix, which begins at noon PDT.

(A note about the World Cup competition: The Grand Prix serves merely as a qualifier for the GP Freestyle. It does not count toward the final placings.)

The afternoon of dressage schooling sessions concluded with the pairs that will be participating in Friday's Las Vegas showcase. They constituted a Who's Who of dressage in California: among them, Steffen Peters/Rosamunde, Shannon Peters/Weltino's Magic, Sabine Schut-Kery/Sanceo, and Jan Ebeling/Darling. Poor Marron, Mette Rosencrantz's mount, got unnerved by the atmosphere in the Thomas & Mack and tried hard to avoid going down the ramp to the arena; but Rosencrantz got him through it and worked hard to give him a positive experience. And experience, one suspects, is the reason a number of these exhibition horses are here. The electric indoor Vegas atmosphere is unusual in the US and valuable for our horses to get under their belts if ever their riders aspire to compete in the prestigious European indoor shows.

Let Them Eat Cake

Celebrating the USDF Instructor/Trainer Program's 25th anniversary. Photo by Jennifer Bryant.

Unlike with Marie Antoinette, this time the invitation was a welcome one. The occasion: the USDF Instructor/Trainer Program's 25th anniversary. Adequan/USDF Annual Convention attendees, and especially members of USDF's Board of Governors, enjoyed slices of delicious cake during a break in day 1 of the BOG's annual assembly.

Cake wars: USDF members vied for the best angle to photograph the anniversary creation. Photo by Jennifer Bryant.

In truth, the break was hardly needed. Once a notoriously contentious governance marathon, the BOG assembly is on track to break speed records for the second year in a row. Today's agenda -- which included reports from USDF's president and executive director, a budget report, and talks by various United States Equestrian Federation officials -- wrapped half an hour early. It left plenty of time for the eagerly anticipated drawings for those most cherished of door prizes, the traditional gift baskets donated by USDF's group-member organizations.

The 2014 USDF Board of Governors assembly. Photo by Jennifer Bryant.

Beautiful baskets, many displaying state or regional pride, are a cherished BOG tradition. Photo by Jennifer Bryant.

The reports and addresses were universally upbeat. According to USDF treasurer Steve Schubert, the USDF is in the black and has been pronounced squeaky-clean by its independent auditing firm. In its second year of existence, the US Dressage Finals attracted 100 more horses than the 2013 edition and are in the black, according to Janine Malone, who chaired the national championships' organizing committee. USDF member and horse-registration numbers are healthy, although some GMOs have seen attrition, a concern addressed in the morning's GMO roundtable discussions, in some committee meetings, and in USDF executive director Stephan Hienzsch's BOG report.

GMO representatives share challenges and solutions at the popular GMO roundtable discussions, Photo by Jennifer Bryant.

The USEF reports were practically fountains of delight. No one can compete with national dressage chef d'equipe and technical advisor Robert Dover when it comes to optimism. Referring to the USEF-USDF relationship, Dover said, "We are putting together a true machine that works together at every single level, from the littlest kids to the highest level." Make no mistake: This man is going to get US dressage riders on the medal podiums or die trying. My own money's on the former.

We heard from USEF president Chrystine Tauber, who praised the USDF's efforts in creating the US Dressage Finals and promised continued support for dressage. Some of that support will assuredly come in the stout, genial form of Will Connell, whom the USEF lured across the pond from the British Equestrian Federation to become its director of sport.

Connell had the BOG delegates laughing at his tales of his days as commander of the King's Troop in the Royal Army, and later as a new employee at the BEF, working to transform a "dysfunctional" British team into the world-beaters they proved to be at the 2012 London Olympics. (In Athens 2004, Connell said, he found Carl Hester in the arena the night before the Grand Prix Freestyle, frantically trying to learn teammate Richard Davison's freestyle. Hester figured his chances of qualifying were so poor he hadn't bothered to create his own freestyle, Connell said.)

Under that pleasant exterior and the hello-old-chap stuff must beat the heart of a ferocious go-getter, however. Most sources give Connell the credit for turning around Team GB's equestrian fortunes, and it's clear the USEF wanted him badly. It will be very interesting to see what Connell does with what he's calling Operation Tokyo, the reference being to the 2020 summer Olympic Games.

Ten More Champions Crowned on Final Day of US Dressage Finals Presented by Adequan

By Yellow Horse Marketing for the US Dressage Finals

Intense head-to-head dressage competition across 30 championship divisions concluded on Sunday at the Kentucky Horse Park in Lexington for the US Dressage Finals presented by Adequan.  Surrounded by friends and family, emotions ran high for competitors as they rode their way into history and celebrated their success with joyous victory laps before packing for their long journeys back to homes across the country.

The appropriately-named Dutch Warmblood Eye Candy (Weltmeyer x UB40) was one of the day's big winners. In the largest class of the Finals, the lovely five-year-old mare owned by Heather Mason (NJ) was the final ride of the class but made the biggest impression with the judges, carrying Region 8's Amy Gimbel, Lebanon, NJ, to victory in the hotly-contested Training Level Adult Amateur Championship with a score of 75.800 percent.  

"I started riding Eye Candy about nine months ago," said Gimbel. "The horse I had been riding before her was sold, so I was looking for something to catch-ride, and Heather offered her to me. She's been a super horse to show; even though this was only her fifth competition and it has a huge atmosphere, she handled it all so well. I feel so lucky to ride her, and I have a lot to be thankful for."  

Amy Gimbel of New Jersey rode Eye Candy to championship and reserve-championship titles on the final day
of the US Dressage Finals presented by Adequan. Photo by SusanJStickle.com.

First to go down center line at 8:00 a.m. was Carolyn Desnoyer, Mosinee, Wis. (qualified in Region 4), aboard her warmblood mare Fresca (Festrausch -- Rising Star, GP Raymeister). They posted a score of 73.533 percent that stood atop the leader board for the duration of the class until Gimbel's final ride, but ultimately was still good enough to clinch the reserve title 

"She came out of her stall ready to work, and two minutes after we got to the warm-up I thought, 'Hey, they could ring that bell any time, we're ready to go,'" said Desnoyer of her mount. "She went in and did her job and gave me everything she had. I was so proud of her. I feel like Cinderella; it's been an amazing experience here at the Finals."

A particularly heartwarming moment came during the presentation by the USDF of the Janine Westmoreland Malone Perpetual Trophy to the Adult Amateur Prix St. Georges champion. Region 7's Adrienne Bessey and her Danish Warmblood mare, Dido, ran away with the title on an impressive score of 71.491 percent, more than six points over the next-placed competitor. With this score, Dido (by Royal Hit) also earned the Lloyd Landkamer Perpetual Trophy, presented by Janet Foy, as the FEI highest-scoring mare.  

It was an emotional win for Bessey, a family-practice physician in Thousand Oaks, Cal. "My test felt great; she was perfect for me and did everything I asked," Bessey said. "I hadn't ever thought of traveling this far for a show, but some of my friends in California were coming and asked if I wanted to go, so I said, 'Sure, why not.' I can't believe how well organized and fun this show is. The atmosphere is almost indescribable; it feels very big, but at the same time everyone is so supportive of each other. I'm so glad I had the opportunity to come here."  

The reserve champion was Jennifer Van de Loo (Holly Springs, Miss., qualified in Region 2), who rode her Oldenburg gelding, Lanzelot 99 (by Lord Sinclair I), to 65.000 percent.  

"He is my schoolmaster, and this is just my second year at the FEI level," said Van de Loo. "He's the best horse ever, and I'm so thankful for him.  It's an honor to be here, and I've enjoyed it so much."

 

Adrienne Bessey (left, with trainer Mette Rosencrantz) received the 2014 Janine Westmoreland Malone Perpetual Trophy, presented by the USDF to the US Dressage Finals adult-amateur Prix St. Georges champion (trophy at left). Bessey also received the Lloyd Landkamer Perpetual Trophy for the FEI highest-scoring mare (trophy at right). USDF photo.

The morning's Prix St. Georges Open Championship became a clash of the titans as incredibly talented horses and riders battled for the win. Saturday night's Intermediate I Open Freestyle champions, Angela Jackson and Kerrin Dunn's Dutch Warmblood mare Allure S, led another victory lap after posting the top score of 71.491 percent. 

"She was still asleep this morning when I had to get her ready, but she got up and felt great! It felt like the best Prix St. Georges test I've done with her all year," said an elated Jackson of her partner.  "Now we're going to go home, take a little time off, and then start preparing for a move up to the Developing Horse Grand Prix."  

Reserve champion Mette Rosencrantz (Topanga, Cal., Region 7) also has big plans for Anne Solbraekke's Hanoverian gelding, De Noir 3 (De Niro -- Maharani, Matcho): Rosencrantz is considering the pursuit of a US team berth for next year's Pan American Games in Toronto. The elegant pair followed up their Intermediate I Open Championship on Friday by finishing a close second on Sunday with a score of 71.009 percent.  

"I had a good ride, he's a great show horse, and I enjoy riding him," Rosencrantz said. "There were so many talented riders and horses in this class, it was amazing." 

Amy Stuhr Paterson (Lee's Summit, Mo., Region 4) thought she might be in trouble as she prepared for her Intermediate B Adult Amateur Championship test with Greenwood Sporthorses' Dutch Warmblood mare, Wies V/D Klumpert (Future -- Sarina V/D Klumpert, Havidoff). "My horse was incredibly wild in that ring yesterday when we were just hand-walking around the perimeter," she explained. "She was literally passaging in hand, so I was a little bit worried about what today might bring." But the mare rewarded Paterson's trust by earning a score of 68.690 percent, good enough for a narrow victory.  

"She ended up using all that energy for good and not evil, so I was thrilled with our ride," said Paterson, who missed last year's inaugural Finals due to battling breast cancer. "It's a tricky test, but she was honest and with me the entire time. It meant a lot to me to be here, and I definitely want to show at Grand Prix next year and come back."  

Friday's Grand Prix Adult Amateur champions, Alice Tarjan (Frenchtown, N.J. Region 8) and her young Oldenburg mare, Elfenfeuer, returned to claim reserve-championship honors Sunday with 68.333 percent. "She handled being outside really well today. We had some mistakes, but we're green at this level, and we have plenty of work to do and room for improvement," said Tarjan.

Region 8's Heather Mason, of Lebanon, N.J., found great success at last year's inaugural Finals, and she returned to Kentucky to claim yet another title with her 10-year-old Dutch Warmblood gelding, Zar, by topping the Intermediate B Open Championship on a score of 69.286 percent.  

"This is a great show and so well-run. I love it, and my clients all love it. I think it’s just a fun show to go to, and it's a lot bigger this year," said Mason. "As for Zar, I think he’s actually going to be a better Grand Prix horse than a small-tour horse, just because his piaffe/passage work is pretty special.  He's kind of a hot horse who is very honest but incredibly scared of everything, so I had a lot of horse under me today! But he was really good and he held it together."  

Also returning to the Finals was Eva Oldenbroek Tabor of Medina, TX (Region 9), who earned the reserve title with her flashy Dutch Warmblood gelding, Uberlinus (by Metall), with 66.865 percent.  "I've have him since he was three years old and he’s 13 now, so I know him inside and out," said Tabor. "I’ve been through some ups and downs with him because he’s sensitive and he's not easy. But we’ve worked our way up from the Young Horse classes, and here we are! Today was a wonderful day; he was flawless. I was here at the Finals last year, and it made me want to come back. The arena is amazing, and the footing is amazing. It’s probably the most beautiful place I’ve ever competed in."

Morgan Barrows, Monroe, Wash. (Region 6), and Janice Davis' six-year-old Oldenburg gelding, San Corazon, proved unbeatable at Second Level Open at these Finals. The duo followed their freestyle win Saturday by claiming Sunday's Second Level Open title with a score of 72.063 percent. 

"He's been such a steady Eddie at every horse show from the minute you take him off the trailer," said Barrows. "He's already showing talent for the Prix St. Georges, so if he's ready we'll think about Developing Horse next year. We'll see how it goes. Maybe we'll even be able to come back here; we certainly had a great time this year."  

Also enjoying the Finals experience was reserve champion Tena Frieling, Holland, Mich. (qualified in Region 2), who earned a score of 70.159 percent with her Oldenburg gelding, Royal Heir, whom she has developed since he was a three-year-old. "I can't believe that we've done this," said Frieling, blinking back tears. "It's completely unexpected. Today my ride was as good as it could have been. It's been a long road for us, but I'm just so happy to be here. It's been a fantastic experience."

Music once again rang out across the Kentucky Horse Park as a second full day of freestyles got under way with 24 entries in the First Level Open Freestyle in the electric atmosphere of the Alltech Arena.  Emerging victorious was Megan McIsaac, Oregon, Wis. (Region 2), who rode the Trakehner gelding Kingsley, owned by Wisconsin Kid LLC, to a top score of 73.722 percent. McIsaac won the title over Stacey Hastings (Mooresville, N.C., Region 1) on Karen Guerra's Friesian mare, Trijntje v.d. Bokkefarm (by Beart 411) (73.167 percent). 

"It was so awesome to be here and be a part of this event," said McIsaac, a Finals first-timer.  "Kingsley is so talented, and he always brings that to the table. He's a really special horse, and I have some exciting goals for him for the future."

Lexington local and Region 2 competitor Cariann Wlosinski and her Oldenburg mare, Rhiannon (by Rousseau), had already added Saturday's Second Level Adult Amateur Freestyle title to their resume. The pair returned on Sunday to claim one more victory in the First Level Adult Amateur Freestyle on a score of 73.700 percent.  

"It's been a fun weekend!" Wlosinski said. "We rode this freestyle last year and finished third, so it meant a lot to come back and win with it this year. I thought she'd be tired today, but she actually was even better. I also would like to thank those who made the decision to separate the open and adult-amateur freestyle championship classes. Everyone loves freestyles, but they are a lot of work, and it means a lot to have our own division."  

Amy Gimbel and Eye Candy added a second championship honor to their roster by earning the First Level Adult Amateur Freestyle reserve title. Said Gimbel: "She was a little distracted in this test, but she's still such a good girl, and I couldn't be happier with our experience."

Nancy Szakacs' smile was infectious as she rode a Ricky Martin-themed freestyle aboard her Westfalen gelding, Rudi Regali, to top the Third Level Adult Amateur Freestyle Championship with 69.056 percent. "This music suits his movement and personality, and today we were so 'on' with the music, it really was like we were dancing," said Szakacs, who works in clinical research for a biopharmaceutical company back home in Hollister, Cal. (Region 7). "It felt like so much fun, just being in the Alltech Arena and having that electric experience. I remember at one moment I looked up to see my name on the huge scoreboard at the end of arena and just thought, 'Wow!' It's been wonderful."  

Reserve Champion Taryn Hochstatter (St. Charles, Ill. qualified in Region 4) was equally thrilled after scoring 67.500 percent aboard Ginna Frantz's Oldenburg mare, Bella Luna GP. "She's a sassy chestnut mare, so we love to show off that attitude in her freestyle," said Hochstatter, who came to the Finals for the first time with her mother, who she called her "number-one fan." "Of course there's pressure to do well, but when we halted at the end of the test I almost cried because my horse did so well today. It was unreal."

Stacey Hastings returned home a national champion after claiming the Fourth Level Open Freestyle title with 72.278 percent aboard Coves Darden Farm's striking black PRE stallion, Police.  

"This is a brand-new freestyle with music by Peter Gabriel, which suits him well," Hastings explained. "The down side is that it's so new, I just learned the music last week and didn't have time to actually practice it more than about three times. But I had it on video, so I just watched it over and over and over and hoped for the best. We lucked out! I'm so glad I came this year. The show ran well, and everyone's been so friendly."  

Fellow Region 1 competitor Dawn Weniger, Apex, N.C., and her Dutch gelding Don Derrick (by Don Ruto) didn't let a few bobbles keep them from claiming reserve honors with 69.333 percent for their medieval-themed performance. "He was afraid of some patches of light shining on the floor of the arena, so he jumped over them a few times, but he was lovely and forward and light, and I'm pretty darn happy," Weniger said. "I've never done a national championship before, and I was having so much fun with my horse. He makes me smile every day. He's so kind and fun and talented, but still a regular guy."

Final results, photo galleries, and news archives from the US Dressage Finals presented by Adequan are available on the official event website. Video on demand from select championship performances is available on the USEF Network. For a complete archive of each competition day's results, click here.